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North-east view of the ruins of the Chapel and Granary of Leadenhall Chapel (Holy Trinity Chapel, Leadenhall Street). Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1813

North-east view of the ruins of the Chapel and Granary of Leadenhall Chapel (Holy Trinity Chapel, Leadenhall Street). Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1813


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North-east view of the ruins of the Chapel and Granary of Leadenhall Chapel (Holy Trinity Chapel, Leadenhall Street). Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1813

FLO5000412 North-east view of the ruins of the Chapel and Granary of Leadenhall Chapel (Holy Trinity Chapel, Leadenhall Street). Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1813.; (add.info.: North-east view of the ruins of the Chapel and Granary of Leadenhall Chapel (Holy Trinity Chapel, Leadenhall Street). Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1813.); © Florilegius

Media ID 38517422

© © Florilegius / Bridgeman Images

Chapel Demolition Granary John Thomas Smith Leadenhall Street Rubble Topography Of London Trinite Holy Trinity Chapel Leadenhall Chapel Regency


EDITORS COMMENTS
This stunning copperplate engraving captures the haunting beauty of the ruins of the Chapel and Granary of Leadenhall Chapel in London. The intricate details etched by John Thomas Smith in 1813 transport us back to a time when this historic site stood proudly in all its glory. The north-east view showcases the crumbling walls and scattered rubble, a stark reminder of the passage of time and the inevitable decay that comes with it. Despite being mere remnants of their former selves, these structures exude an aura of grandeur and elegance that is hard to ignore. As we gaze upon this print, we are transported to a bygone era where regency architecture reigned supreme and Holy Trinity Chapel was a place of worship and community gathering. The intricate detailing on each stone tells a story of resilience and endurance, standing tall against the test of time. This piece from John Thomas Smith's Topography of London serves as both a historical record and a work of art in its own right. It invites us to reflect on the fleeting nature of life and appreciate the beauty that can be found even in decay. Truly, this print is a testament to the enduring legacy left behind by those who came before us.

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