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The Tree from which Adam ate the Apple, facsimilie from a book of meditation

The Tree from which Adam ate the Apple, facsimilie from a book of meditation


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The Tree from which Adam ate the Apple, facsimilie from a book of meditation

1772332 The Tree from which Adam ate the Apple, facsimilie from a book of meditation, the first book printed at Albi, Languedoc, in 1481, 1903 (litho) by French School, (15th century) (after); Private Collection; (add.info.: From The Connoisseur Illustrated published 1903.); Photo eHilary Morgan; French, out of copyright

Media ID 23103488

© Hilary Morgan / Bridgeman Images

Adam Apple Creation Eden Facsimile Fall Garden Of Eden Genesis Languedoc Original Publishing Temptation Albi Dine Northern Renaissance


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> Arts > Art Movements > Medieval Art

> Arts > Art Movements > Renaissance Art

> Fine Art Finder > Artists > Frederick William Bond

> Fine Art Finder > Garden Of Eden, Creation, Adam & Eve

> Fine Art Finder > Schools > French School

> Historic > Renaissance art > Medieval art > Renaissance paintings

> Historic > Renaissance art > Medieval art

> Historic > Renaissance art > Northern Renaissance art > Renaissance art

> Historic > Renaissance art > Northern Renaissance art

> Historic > Renaissance art

> Northern renaissance paintings

> Renaissance art


The Tree from which Adam ate the Apple - A Glimpse into Biblical Temptation

EDITORS COMMENTS
. This print captures a facsimile of an extraordinary artwork, originating from a book of meditation printed in 1481 at Albi, Languedoc. The image takes us back to the Garden of Eden, where the story of humanity's fall from grace began. In this scene, we witness Eve standing beside the infamous tree that bore the forbidden fruit. Her presence is both alluring and contemplative as she contemplates her fateful decision. Adam stands nearby, his expression reflecting curiosity mixed with trepidation. The artist skillfully depicts lush greenery surrounding them, symbolizing paradise before sin entered their lives. This medieval masterpiece showcases elements reminiscent of Northern Renaissance artistry and biblical storytelling. The apple itself becomes a potent symbol representing temptation and mankind's inherent struggle between obedience and desire. Its vibrant red hue contrasts against Eve's nakedness – a visual metaphor for vulnerability and innocence lost. As we gaze upon this remarkable print, we are transported to a pivotal moment in religious history when human nature succumbed to temptation. It serves as a reminder that even within our own lives today, choices can lead us down unforeseen paths. This photograph not only offers aesthetic pleasure but also invites deep reflection on themes such as creation, sin, faithfulness, and redemption found within Christian teachings. It stands as an enduring testament to the power of art to evoke emotion and provoke thought across centuries.

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