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Cover of "Le Don Quixote", number 668, Satirique en Couleurs, 1887_4_9: Le Tonkinois en Algerie - Colonization, Dead corpses, Algeria, Anticolonialism, Tonkin - Ferry Jules
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Cover of "Le Don Quixote", number 668, Satirique en Couleurs, 1887_4_9: Le Tonkinois en Algerie - Colonization, Dead corpses, Algeria, Anticolonialism, Tonkin - Ferry Jules
ICA4924881 Cover of " Le Don Quixote", number 668, Satirique en Couleurs, 1887_4_9: Le Tonkinois en Algerie - Colonization, Dead corpses, Algeria, Anticolonialism, Tonkin - Ferry Jules, Peacock - Illustration by Charles Gilbert-Martin (1839-1905) by Gilbert-Martin, Charles (1839-1905); (add.info.: Cover of " Le Don Quixote", number 668, Satirique en Couleurs, 1887_4_9: Le Tonkinois en Algerie - Colonization, Dead corpses, Algeria, Anticolonialism, Tonkin - Ferry Jules, Peacock - Illustration by Charles Gilbert-Martin (1839-1905)); Photo © Caricadoc
Media ID 25898422
© Caricadoc / Bridgeman Images
Algeria Algeria Algerian Algerian Algerians Algerie Anticolonialism Arabs Daily Newspaper Du Soudan Ferry Ferry Jules 1832 1893 Incense Indochina Jules 1832 1893 Maghrebin Maghrebine Newspaper Stand North East Africa North West Africa Northafrica Peacock Skull State Newspaper A Journal Arab Civilization Arab Culture Arabians Asian Asian Caricadoc Central Africa Fowls Journalism Maghreb Maghrebi Maghrebian Newspapers Sudan
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EDITORS COMMENTS
The captivating print titled "Cover of 'Le Don Quixote'" transports viewers to the year 1887, immersing them in a world of political satire and colonialism. The image, created by Charles Gilbert-Martin, features a striking illustration that combines elements from Algeria and Tonkin (now part of Vietnam) to convey an anticolonialist message. In this thought-provoking artwork, we see dead corpses strewn across the Algerian landscape, symbolizing the devastating consequences of colonization. The presence of a skeleton further emphasizes the theme of death and destruction caused by imperialistic endeavors. A peacock stands prominently in the foreground, representing both beauty and arrogance. Jules Ferry's name is mentioned as an allusion to his role as one of France's prominent figures during its colonial expansion. This inclusion adds depth to the piece by referencing historical events surrounding French involvement in North Africa and Indochina. The engraving evokes strong emotions through its powerful imagery and serves as a critique on European imperialism. It invites viewers to reflect on issues such as power dynamics between colonizers and colonized peoples, cultural appropriation, and resistance against oppressive systems. This photograph print from Fine Art Finder captures not only an artist's skillful rendering but also provides valuable insights into significant historical moments that shaped our world today.
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