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The Entrance of Emperor Napoleon I (1769-1821) and Empress Marie Louise of Austria

The Entrance of Emperor Napoleon I (1769-1821) and Empress Marie Louise of Austria


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The Entrance of Emperor Napoleon I (1769-1821) and Empress Marie Louise of Austria

XIR242452 The Entrance of Emperor Napoleon I (1769-1821) and Empress Marie Louise of Austria (1791-1847) onto the Champs-Elysees, 2nd April 1810 (coloured engraving) by French School, (19th century); Bibliotheque Nationale, Paris, France; (add.info.: presentation of the keys to the city; ); French, out of copyright

Media ID 23207630

© Bridgeman Images

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The Entrance of Emperor Napoleon I and Empress Marie Louise onto the Champs-Elysees, 2nd April 1810

EDITORS COMMENTS
. This print captures a momentous occasion in history as Emperor Napoleon I and Empress Marie Louise of Austria make their grand entrance onto the iconic Champs-Elysees. The colored engraving beautifully portrays this significant event, showcasing the opulence and grandeur that surrounded their arrival. As they step out of their carriage, adorned in regal attire, the imperial couple is greeted by a jubilant crowd. Soldiers from the imperial guard line both sides of the street, standing tall with pride and loyalty to their emperor. The atmosphere is filled with excitement as onlookers cheer and wave flags in celebration. The scene takes place against the backdrop of the magnificent Arc de Triomphe, symbolizing triumph and victory. This monumental structure serves as a testament to Napoleon's military successes and his reign over France. The engraving also highlights an important moment during this entry -the presentation of keys to the city. This gesture signifies acceptance by Parisians into their new role as rulers. It represents unity between Napoleon's empire and its capital city. Through this image, we are transported back in time to witness a historic event that shaped European history. It tells a story not only about Napoleon Bonaparte but also about love, power, celebration, and national pride.

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