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French Separation of the Church and the State, 1905 (engraving)
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French Separation of the Church and the State, 1905 (engraving)
ELD4892718 French Separation of the Church and the State, 1905 (engraving) by Leandre, Charles (1862-1934); (add.info.: Separation from Church and State: " the French politician Jean-Bienvenu Martin (Bienvenu-Martin) (1847-1943), Minister of Public Instruction, Fine Arts and Worship, desperately seeking to separate the Church as a priest of France (French separation of church and state, 1904 - 1905: French minister of public instruction Jean Welcome Martin trying to separate Church (as a priest) from France (as a Marianne)) Drawing by Charles Leandre in One of " Le rire" 20/05/1905 (Drawing by Charles Leandre from " Le rire" newspaper, 20th may 1905) Private collection); Photo © The Holbarn Archive
Media ID 25493574
© The Holbarn Archive / Bridgeman Images
Charles Leandre Laicite Marianne Republic Siamese A Journal Catholic Religion Imam Isadora Religious Role
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EDITORS COMMENTS
The engraving titled "French Separation of the Church and the State, 1905" captures a pivotal moment in French history. Created by Charles Leandre, this powerful image depicts the struggle to separate religion from politics during the early 20th century. In this thought-provoking artwork, we see Jean-Bienvenu Martin, the Minister of Public Instruction, Fine Arts and Worship at that time. Desperately seeking to separate the Church from France's political affairs, Martin is portrayed as a priest trying to break free from Marianne, symbolizing France herself. Leandre's drawing combines elements of caricature and allegory to convey a sense of urgency surrounding this issue. The artist skillfully portrays Martin's determination amidst opposition from religious orders and clergy members who resist change. This engraving serves as a commentary on both Christian religion and French society during that era. It highlights tensions between traditional Catholicism and secular ideals represented by Marianne. Through his artistry, Leandre addresses broader themes such as press freedom, laicite (the principle of secularism), and religious roles within Europe. This print not only reflects historical events but also raises questions about power dynamics between church institutions and state authorities. As an important piece of early 20th-century artwork, "French Separation of the Church and State" offers us insight into a critical period in French history where ideas clashed and new societal norms were being established.
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