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Frontispiece to In Praise of Folly by Desiderius Erasmus (engraving)
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Frontispiece to In Praise of Folly by Desiderius Erasmus (engraving)
698811 Frontispiece to In Praise of Folly by Desiderius Erasmus (engraving) by French School, (16th century); Bibliotheque Nationale, Paris, France; (add.info.: written 1509; first published 1511; exposing the abuses of Catholic doctrine and the corrupt practices in the Church; statement of Christian ideals; dedicated to his friend Sir Thomas More; Moriae Encomium ; ); French, out of copyright
Media ID 22398026
© Bridgeman Images
Bare Breast Bell Bells Buffoon Danae Erasmus Essay Flattery Fool Frontispiece Hades Half Nude Humanist In Praise Of Folly Instruments Jester Laziness Madness Narcissism Narcissist Pleasure Pluto Score Sheet Stick Title Page Trumpet Vice Vices Voluptuous Coin Desiderius Intemperance King Midas Miserliness Self Satisfaction
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EDITORS COMMENTS
This engraving, titled "Frontispiece to In Praise of Folly" transports us back to the 16th century and offers a visual representation of Desiderius Erasmus' renowned satirical work. Created by the French School, this print showcases a rich tapestry of symbols and allegories that reflect the author's critique of Catholic doctrine and corrupt practices within the Church. At first glance, we are drawn to the central figure—a jester-like character representing folly itself. With her half-nude form adorned with bells and cap, she embodies intemperance, self-satisfaction, and madness. Surrounding her are various figures symbolizing vices such as miserliness, laziness, narcissism, and pleasure-seeking. The composition also includes references to classical mythology; King Midas is depicted holding his infamous rod while Danae lies beside him in a voluptuous manner—an allusion to greed and desire for wealth. Additionally, Pluto (Hades) appears playing musical instruments alongside other musicians who represent flattery. Through this intricate imagery filled with social commentary and religious satire, Erasmus challenges Christian ideals while shedding light on societal issues prevalent during his time. The frontispiece serves as an invitation into a world where folly reigns supreme—a world where human follies are exposed through wit and humor. Preserved in Bibliotheque Nationale in Paris today, this engraving continues to captivate viewers with its thought-provoking symbolism and artistic mastery—reminding us that even centuries later art can still provide insight into our own human nature.
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