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Harriet Hosmer (1830-1908) with her sculpture Fountain of the Sirens
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Harriet Hosmer (1830-1908) with her sculpture Fountain of the Sirens
SLS251141 Harriet Hosmer (1830-1908) with her sculpture Fountain of the Sirens, 1861 (b/w photo) by American Photographer, (19th century); Schlesinger Library, Radcliffe Institute, Harvard University; eSchlesinger Library, Radcliffe Institute, Harvard; American, out of copyright
Media ID 22355266
© Schlesinger Library, Radcliffe Institute, Harvard / Bridgeman Images
Emancipation Equal Feminism Feminist Gathering Group Portrait Lesbian Pioneer Sculptor Expatriate
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EDITORS COMMENTS
This photograph captures the remarkable Harriet Hosmer, a pioneering female sculptor of the 19th century, alongside her magnificent creation - the Fountain of the Sirens. Taken by an American photographer in 1861, this image showcases Hosmer's undeniable talent and determination. In this group portrait, we see Hosmer surrounded by Italian workmen who assisted her in bringing her vision to life. As an expatriate from North America, she found solace and inspiration in Italy's rich artistic heritage. This gathering symbolizes not only collaboration but also the power of embracing different cultures. Harriet Hosmer was not just a talented artist; she was also a feminist icon ahead of her time. Her sculptures often depicted strong and empowered women, challenging societal norms and advocating for gender equality. She played a significant role in shaping American art history as well as contributing to the emancipation movement. Beyond her artistic achievements, Harriet Hosmer lived openly as a lesbian during an era when such identities were heavily stigmatized. Her courage serves as an inspiration for those fighting for equal rights today. Preserved within Harvard University's Schlesinger Library collection, this photograph offers us a glimpse into both Harriet Hosmer's groundbreaking career and the vibrant atmosphere surrounding her creative process. It stands as a testament to her enduring legacy within American art history and feminism alike.
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