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The Hotel d Avaux, rue du Temple, Paris (engraving)
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The Hotel d Avaux, rue du Temple, Paris (engraving)
473303 The Hotel d Avaux, rue du Temple, Paris (engraving) by French School, (17th century); Bibliotheque Historique de la Ville de Paris, Paris, France; (add.info.: Built between 1644 and 1650 for Claude de Mesmes (1595-1650), Comte d Avaux, a leading French diplomat in the seventeenth century; designed by the architect Pierre le Muet (1591-1669) on the plot of land inherited by Claude d Avaux in 1642; one of the finest examples of the classical style known as Atticism during the regency of Anne of Austria; now the home of Musee d Art et d Histoire du Judaisme; known today as the Hotel de Saint-Aignan, after a later owner, Paul de Beauvilliers, duc de Saint-Aignan, who bought the mansion in 1688; ); French, out of copyright
Media ID 23489332
© Bridgeman Images
Town House Jewish Religion Neo Classical Saint Aignan
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EDITORS COMMENTS
This engraving showcases the grandeur of The Hotel d Avaux, located on rue du Temple in Paris. Built between 1644 and 1650 for Claude de Mesmes, Comte d Avaux, a prominent French diplomat of the seventeenth century, this architectural masterpiece is an epitome of classical style known as Atticism during the regency of Anne of Austria. Designed by renowned architect Pierre le Muet, the hotel stands tall as one of the finest examples of neo-classical architecture in Paris. Its elegant façade and intricate detailing reflect the opulence and sophistication that characterized this era. Today, this historic building serves as home to Musee d Art et d Histoire du Judaisme (Museum of Art and History of Judaism). It has been renamed Hotel de Saint-Aignan after its later owner Paul de Beauvilliers, Duc de Saint-Aignan who acquired it in 1688. The engraving captures every fine detail with precision - from the ornate balconies to the majestic entrance. It transports us back to a time when artistry and craftsmanship were celebrated in every aspect of life. As we admire this print from Fine Art Finder, we are reminded not only of its architectural significance but also its cultural importance. The fusion between history and religion is palpable within these walls; it stands as a testament to both Jewish heritage and French artistic excellence.
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