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The miser, Harpagon, 1896 (engraving)

The miser, Harpagon, 1896 (engraving)


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The miser, Harpagon, 1896 (engraving)

ELD4833299 The miser, Harpagon, 1896 (engraving); Private Collection; (add.info.: The Miser, Harpagon, Engraving from "Works" by Jean-Baptiste Poquelin dit Moliere (Jean Baptiste Poquelin, 1622-1673), French playwright and theatre actor, 1896.); Photo © The Holbarn Archive

Media ID 38100610

© © The Holbarn Archive / Bridgeman Images

2 People 2 Persons 7 Deadly Sins Chat Chatting Conversations Discuss Discussion Discussions Dramatist Greed Having A Conversation Interior Scene Jean Baptiste Poquelin Moliere Moliere 1622 1673 Play Theatre Playwrights Playwrite Playwriter Seven Deadly Sins Small Talk Talk Talking Theater Performance Theater Play Theater Show Tragedian Two Persons 17th Centuries Conversation Ecrivain Auteur Writer Author Isadora Room Interior The Author


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EDITORS COMMENTS
This engraving from 1896 depicts the iconic character of The Miser, Harpagon, created by the renowned French playwright and actor Jean-Baptiste Poquelin, also known as Moliere. The image captures a moment of intense conversation between two individuals, possibly reflecting themes of greed and the seven deadly sins. The intricate details in this print showcase the talent and skill of the artist in bringing this timeless character to life. The expressions on the faces of the figures hint at a lively discussion or perhaps a heated argument, adding depth to the narrative portrayed in this artwork. The setting of this scene is reminiscent of 17th-century France, with elements that transport us back to a time when small talk and social interactions were an integral part of daily life. The rich historical context adds another layer of interest to this piece, making it not just a visual delight but also a window into past societal norms and values. Overall, this engraving serves as a reminder of Moliere's enduring legacy in French literature and theater, as well as an exploration of universal themes such as greed and human nature. It is truly a work that invites contemplation and reflection on our own attitudes towards wealth and material possessions.

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