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Palazzo di Venezia, 1833 (etching with brown wash)

Palazzo di Venezia, 1833 (etching with brown wash)


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Palazzo di Venezia, 1833 (etching with brown wash)

STC384927 Palazzo di Venezia, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info.: Palais de Venice; Engraved by Pietro Fontana (1762-1837); from Recueil des vues au bister dessinees et lavees par Callimachus, Souvenirs d antiquites et curiosites de Rome et des environs, Deblayements et reparations du Pape Pie VII ; Pope Pius VII (1742-1823) Papacy (1800-23) Count Barnaba Niccolo Maria Luigi Chiaramonti; Thought to be designed by Francesco del Borgo, amongst others; Begun in 1455, enlarged in 1464 and finished in the 16th century; Built for the Venetian Cardinal Pietro Barbo, later Pope Paul II (1464-71); ); The Stapleton Collection; Italian, out of copyright

Media ID 23548018

© The Stapleton Collection / Bridgeman Images

Battlemented


FEATURES IN THESE COLLECTIONS

> Architecture > Country > Italy > Related Images

> Architecture > Country > Italy > Rome

> Architecture > Country > Italy > Venice

> Architecture > Palaces

> Architecture > Styles > Roman Architecture

> Arts > Art Movements > Renaissance Art

> Arts > Artists > R > Roman Roman

> Europe > Italy > Lazio > Rome

> Europe > Italy > Palaces

> Europe > Italy > Veneto > Venice

> Fine Art Finder > Artists > Agostino Tofanelli

> Fine Art Finder > Artists > French School

> Fine Art Finder > Italy


EDITORS COMMENTS
This etching with brown wash, titled "Palazzo di Venezia, 1833" takes us on a journey through time to the heart of Rome. The image showcases the magnificent Palazzo di Venezia, an architectural masterpiece that stands tall and proud against the backdrop of a bustling street scene. The artist behind this remarkable piece is Agostino Tofanelli, whose attention to detail and skillful technique bring this Renaissance gem to life. Engraved by Pietro Fontana, every stroke captures the grandeur and elegance of this historical landmark. Originally designed by Francesco del Borgo in 1455 for Cardinal Pietro Barbo (later known as Pope Paul II), Palazzo di Venezia underwent several expansions before reaching its final form in the 16th century. Its battlemented façade exudes power and authority while reflecting Roman influences. As we gaze upon this print from a private collection, we are transported back in time to witness the Deblayements et reparations du Pape Pie VII (Pope Pius VII) during his papacy from 1800-1823. This adds another layer of historical significance to an already mesmerizing artwork. With its rich history and exquisite architecture, Palazzo di Venezia continues to captivate viewers even today. This print serves as a testament to both Tofanelli's artistic prowess and the enduring allure of Rome's cultural heritage.

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