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Scene from Mozarts opera The Marriage of Figaro. (Le Nozze di Figaro), comic opera (opera buffa) with libretto by Lorenzo da Ponte (1749-1838) after Beaumarchais, first performed on l May 1786 at the Burgtheater, Vienna

Scene from Mozarts opera The Marriage of Figaro. (Le Nozze di Figaro), comic opera (opera buffa) with libretto by Lorenzo da Ponte (1749-1838) after Beaumarchais, first performed on l May 1786 at the Burgtheater, Vienna


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Scene from Mozarts opera The Marriage of Figaro. (Le Nozze di Figaro), comic opera (opera buffa) with libretto by Lorenzo da Ponte (1749-1838) after Beaumarchais, first performed on l May 1786 at the Burgtheater, Vienna

538237 Scene from Mozarts opera The Marriage of Figaro. (Le Nozze di Figaro), comic opera (opera buffa) with libretto by Lorenzo da Ponte (1749-1838) after Beaumarchais, first performed on l May 1786 at the Burgtheater, Vienna. by Buchel, Charles A. (1872-1950); (add.info.: Susanna, maid to Countess Almaviva telling the page Cherubino to leave when they hear voices approaching. Instead he will hide in the chair, covered by a drape, only to be exposed by the Count. From A Day With Wolfgang Amadeus Mozart by May Byron. (London, c1914).); Universal History Archive/UIG

Media ID 27838158

© Universal History Archive/UIG / Bridgeman Images

1786 Amadeus Approaching Beaumarchais Buffa Byron Cherubino City Of Vienna Count Countess Covered Drape Exposed Figaro Hear Hide Leave Libretto Lorenzo Mozart Mozart Wolfgang Amadeus Nozze Page Performed Pierre Augustin De Beaumarchais Pierre Caron De 1732 1799 Pierre Caron From 1732 1799 Ponte Susanna Telling Vienna Vienna City Voices Wolfgang Wolfgang Amadeus Mozart 1749 1838 Almaviva Austria Austrian Authors Book Author Burgtheater C1914 Composers Litaerature Maid The Author


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EDITORS COMMENTS
This print captures a scene from Mozart's beloved opera, The Marriage of Figaro (Le Nozze di Figaro). Set in the grand Burgtheater in Vienna, this comic opera tells the tale of love, deceit, and mistaken identities. In this particular moment, Susanna, the maid to Countess Almaviva, urgently instructs Cherubino to leave as they hear voices approaching. However, instead of obeying her command, he decides to hide himself within a chair covered by a drape. The tension builds as we anticipate whether Cherubino will be exposed when the Count arrives on stage. This dramatic twist adds an element of surprise and humor to the performance. The intricate details captured in this image transport us back to that fateful day on May 1st, 1786 when The Marriage of Figaro premiered at the Burgtheater. The composition beautifully showcases not only the theatricality but also highlights the exquisite costumes and set design that bring Mozart's vision to life. As we gaze upon this snapshot frozen in time, we are reminded of Mozart's genius as both composer and musician. This print is part of A Day With Wolfgang Amadeus Mozart by May Byron and serves as a testament to his enduring legacy. It allows us to immerse ourselves in one small fragment of his timeless masterpiece while celebrating the rich history and artistry behind one of opera's most cherished works.

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