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Detail of the Tomb of Antipope John XXIII (bronze)
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Detail of the Tomb of Antipope John XXIII (bronze)
3469869 Detail of the Tomb of Antipope John XXIII (bronze) by Donatello, (c.1386-1466); Museo di Santa Maria del Fiore, Florence, Italy; (add.info.: The Tomb of Antipope John XXIII is the marble-and-bronze tomb monument of Antipope John XXIII (Baldassare Cossa, c. 1360-1419), created by Donatello and Michelozzo for the Florence Baptistry adjacent to the Duomo. It was commissioned by the executors of Cossas will after his death on December 22, 1419 and completed during the 1420s, establishing it as one of the early landmarks of Renaissance Florence. According to Ferdinand Gregorovius, the tomb is " at once the sepulchre of the Great Schism in the church and the last papal tomb which is outside Rome itself".); Photo eRaffaello Bencini; Italian, out of copyright
Media ID 22972694
© Raffaello Bencini / Bridgeman Images
Death Mask Florentine Funerary Garb Mitre Papal Baldassare Cossa
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EDITORS COMMENTS
This print captures the intricate details of the Tomb of Antipope John XXIII, a masterpiece created by Donatello and Michelozzo in Florence, Italy. The bronze sculpture, dating back to the early Renaissance period, stands as a testament to both artistry and historical significance. Commissioned by Cossa's executors after his death in 1419, this tomb monument serves as a symbol of the Great Schism within the church. It is considered one of Florence's early landmarks and showcases the city's rich artistic heritage. The photograph highlights various elements that make this tomb truly remarkable. From the finely carved inscription to the striking death mask and funerary robes, every detail reflects meticulous craftsmanship. The portrait-like representation captures Cossa's ecclesiastical garb with precision and elegance. Notably, this papal tomb lies outside Rome itself, adding an extra layer of uniqueness to its historical importance. The composition also showcases a mitre atop Cossa's headpiece – an emblematic symbol for high-ranking clergy members. Through A© Raffaello Bencini's lens, viewers are transported into Renaissance Florence where they can appreciate not only Donatello and Michelozzo’s artistic prowess but also delve into centuries-old religious schisms that shaped history. This print serves as a visual gateway into an era defined by monumental sculptures like these – testaments to human creativity intertwined with political and religious narratives.
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