The Clerical Magistrate, 1819 (engraving)

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The Clerical Magistrate, 1819 (engraving)

XJF488936 The Clerical Magistrate, 1819 (engraving) by Cruikshank, George (1792-1878); Private Collection; (add.info.: Illustration to the poem The Clerical Magistrate by William Hone (1780-1842). Satirical representation of clerical magistrates and in particular of Charles Wikstead Ethelston (fl.1820) who read the riot act to his Manchester parishoners, as well as published controversial pamphlets.); English, out of copyright

Media ID 12914878

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Blunderbuss Cleric Clerical Critical Criticism Crucifix Drunk Gallows Magistrate Pulpit Reverend Rostrum Scourge Shackles Whip

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EDITORS COMMENTS
is a captivating engraving by George Cruikshank that offers a satirical representation of clerical magistrates in the early 19th century. The print, part of a private collection, serves as an illustration to William Hone's poem "The Clerical Magistrate". In this artwork, Cruikshank skillfully portrays Charles Wikstead Ethelston, a controversial figure who read the riot act to his Manchester parishioners and published contentious pamphlets. The image showcases Ethelston as a Janus-headed character, symbolizing his duplicity and two-faced nature. He stands on a pulpit or rostrum adorned with religious symbols such as crucifixes and shackles while wielding various instruments of power: a whip, gallows, scourge, and even a blunderbuss. Cruikshank's use of humor and satire highlights the political criticism surrounding clerics like Ethelston during that era. The artist cleverly depicts him as drunk with drink-blotched features—a commentary on both his moral failings and questionable judgment. "The Clerical Magistrate" print captures the essence of societal critique prevalent at the time. It sheds light on the tensions between religion and politics while exposing hypocrisy within certain clergy members' ranks. This remarkable piece invites viewers to reflect upon historical events through art's lens—providing insight into past controversies while reminding us of the enduring power of satire in social commentary.

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