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Escape No. 3, from Jack Sheppard by W. H. Ainsworth, published 1839 (engraving)
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Escape No. 3, from Jack Sheppard by W. H. Ainsworth, published 1839 (engraving)
XJF778819 Escape No. 3, from Jack Sheppard by W. H. Ainsworth, published 1839 (engraving) by Cruikshank, George (1792-1878); Private Collection; (add.info.: Jack Sheppard (1702-24) was a notorious thief who repeatedly escaped from prison. William Harrison Ainsworths (1805a'82) novel Jack Sheppard was based on his life. The images show, from top, Lower leads and The highest leads and the leads of the Turners house.); English, out of copyright
Media ID 12818601
© www.bridgemanart.com
Burglar Convicted Criminal Crowbar Escaping Jack Sheppard Jail Leads Narrative Notorious Novel Real Life Roofs Rooftops Thief Vignettes Break Free Breakout
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This engraving, titled "Escape No. 3, from Jack Sheppard" takes us back to the pages of W. H. Ainsworth's novel published in 1839. The image, skillfully crafted by George Cruikshank, transports us into the thrilling world of Jack Sheppard, a notorious thief who repeatedly eluded capture. The scene depicted here showcases the rooftops and leads that served as both obstacles and pathways for Sheppard's daring escapes. From top to bottom, we witness the Lower leads and The highest leads along with those belonging to Turner's house. These intricate vignettes bring alive the narrative of a man determined to break free from his prison confines. As we delve deeper into this illustration, we are reminded of Sheppard's real-life existence as a convicted criminal and burglar. His audacious feats captured public imagination during the Georgian era and inspired Ainsworth's gripping tale. With its attention to detail and dramatic portrayal of Sheppard wielding a crowbar amidst these perilous heights, this print immerses us in an enthralling moment from history. It serves as a testament not only to Cruikshank's artistic prowess but also to the enduring allure of characters like Jack Sheppard who defy societal norms. This remarkable piece invites us to reflect on our fascination with outlaws and their ability to transcend boundaries even when confined within prison walls.
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