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Pulling Down the Statue of George III in the Bowling Green in 1776, engraved by John C

Pulling Down the Statue of George III in the Bowling Green in 1776, engraved by John C


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Pulling Down the Statue of George III in the Bowling Green in 1776, engraved by John C

MNY94371 Pulling Down the Statue of George III in the Bowling Green in 1776, engraved by John C. McRae (engraving) by Oertel, Johannes Adam Simon (1823-1909) (after); 30.9x20.4 cm; Museum of the City of New York, USA; (add.info.: George III (1738-1820); ); eMuseum of the City of New York; American, out of copyright

Media ID 23216892

© Museum of the City of New York / Bridgeman Images

7 Deadly Sins American Revolutionary War Anger Angry Equestrian Statue Furor King Of Great Britain Manhattan Patriots Public Park Rage Seven Deadly Sins Uprising Revolt


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> North America > United States of America > New York > New York > Manhattan > Related Images

> North America > United States of America > New York > Related Images


Pulling Down the Statue of George III in the Bowling Green in 1776 - A Defiant Act of Revolution

EDITORS COMMENTS
. This print captures a pivotal moment in American history, depicting the dramatic scene of patriots pulling down the statue of King George III during the American Revolutionary War. Engraved by John C. McRae and based on Johannes Adam Simon Oertel's original artwork, this image measures 30.9x20.4 cm and is housed at the Museum of the City of New York. The photograph showcases a furious mob, fueled by anger and revolt, as they gather around an equestrian statue representing British rule over North America. The crowd's collective rage is palpable, symbolizing their determination to break free from oppressive colonial forces. Set against a backdrop of Manhattan's public park, this powerful image encapsulates both physical resistance and emotional defiance. It serves as a testament to the spirit and courage that fueled America's uprising for independence. The sculpture itself stands as a representation not only of King George III but also embodies feelings associated with seven deadly sins - anger, fury, and rebellion among them - further emphasizing its significance within this historical context. As we gaze upon this remarkable engraving from centuries past, we are reminded not only of our nation's struggle for freedom but also how art can capture moments that shape our collective identity forever.

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