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Stronghold of the Spirit, 1932 (tempera on canvas)
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Stronghold of the Spirit, 1932 (tempera on canvas)
5642692 Stronghold of the Spirit, 1932 (tempera on canvas) by Roerich, Nicholas (1874-1947); 46.5A--79.4 cm; Nicholas Roerich Museum, New York; eNicholas Roerich Museum; Russian, out of copyright
Media ID 23273794
© Nicholas Roerich Museum / Bridgeman Images
Himalaya Himalayan Himalayas Misty Peak Peaks Spirit Star Stronghold Summit Summits Yaks
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EDITORS COMMENTS
Stronghold of the Spirit, 1932" is a captivating masterpiece by Nicholas Roerich that transports viewers to the mystical realm of the Himalayas. This mesmerizing tempera on canvas print captures the essence of Asia's spiritual stronghold amidst a starlit night. The painting showcases an awe-inspiring mountainous landscape enveloped in mist, creating an ethereal ambiance. Roerich's attention to detail is evident in his depiction of Asian architecture nestled among the majestic peaks. The summit buildings stand tall and proud, symbolizing strength and resilience against nature's forces. Each brushstroke brings life to this architectural marvel, blending seamlessly with the natural beauty surrounding it. The artist skillfully incorporates elements such as yaks grazing peacefully in their habitat, further emphasizing the harmony between man and nature in this sacred land. As one gazes upon this artwork, they are transported into a world where spirituality intertwines with breathtaking landscapes. The "Stronghold of the Spirit" serves as a testament to Roerich's deep connection with Asia and his profound understanding of its cultural significance. It invites us to contemplate our place within these magnificent surroundings while evoking a sense of wonderment at both human achievement and Mother Nature's grandeur. Displayed at the Nicholas Roerich Museum in New York City, this painting continues to captivate audiences worldwide through its timeless portrayal of serenity amidst towering summits – reminding us all that there is much more beyond what meets the eye.
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