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Ms 62 f. 132v Winged figure in a treetop with book pierced by a sword

Ms 62 f. 132v Winged figure in a treetop with book pierced by a sword


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Ms 62 f. 132v Winged figure in a treetop with book pierced by a sword

997113 Ms 62 f.132v Winged figure in a treetop with book pierced by a sword, from the Hours of the Holy Spirit by Guillaume de Deguillevilles 1350, 1417 (ink & gold leaf on parchment) by Master of the Rohan Hours, (fl.1420-30); 25x18 cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: Le PAlerinage de la Vie Humaine Guillaume de Deguileville (1295 - before 1358) was a French Cistercian and writer.); eFitzwilliam Museum; French, out of copyright

Media ID 22743618

© Fitzwilliam Museum / Bridgeman Images

Calligraphy Folio Hours Humaine Page Pelerinage Pierced Piercing Pilgrimage Pilgrimages Script Spirit Stanza Treetop Winged Stanzas Trilogy


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> Arts > Art Movements > Medieval Art

> Arts > Realistic drawings > Still life artwork > Fine art

> Europe > France > Le Mans

> Fine Art Finder > Artists > German School

> Fine Art Finder > Artists > Master of the Rohan Hours

> Fine Art Finder > Manuscripts: Religious

> Popular Themes > Religious Images


EDITORS COMMENTS
This print showcases the mesmerizing artwork of Ms 62 f. 132v Winged figure in a treetop with book pierced by a sword, from the Hours of the Holy Spirit by Guillaume de Deguillevilles. Created between 1350 and 1417, this masterpiece was crafted by the talented Master of the Rohan Hours. The image depicts a majestic winged figure perched atop a tree, holding an open book that is pierced by a sword. The intricate details and vibrant colors bring this medieval scene to life, showcasing the artist's skillful use of ink and gold leaf on parchment. Guillaume de Deguilleville's work, Le Pelerinage de la Vie Humaine (The Pilgrimage of Human Life), serves as inspiration for this illustration. It beautifully captures themes of spirituality and religious devotion through its ornate decoration and symbolic imagery. As we delve into this piece further, we are transported to another time – a world where manuscripts were meticulously created with calligraphy and illuminated borders. This particular page exemplifies the fusion of poetry and visual artistry found within medieval manuscripts. Displayed at Fitzwilliam Museum in Cambridge, UK, this print invites us to explore not only religious iconography but also the rich cultural heritage preserved within these ancient texts. It serves as a reminder that art has always been intertwined with spirituality throughout history.

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