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A prince hunting, c. 1600 (opaque watercolor, ink and gold on paper)
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A prince hunting, c. 1600 (opaque watercolor, ink and gold on paper)
5932595 A prince hunting, c.1600 (opaque watercolor, ink and gold on paper) by Persian School, (16th century); 29.7 x 19.4 cm; Freer Gallery of Art, Smithsonian Institution, USA; (add.info.: Left-hand half of a double-page frontispiece from a dispersed copy of Khamsa (Quintet) by Nizami (d. 1209); Right-hand at FSG 5932594); Freer Gallery of Art, Smithsonian Institution; Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler; Persian, out of copyright
Media ID 23265416
© Freer Gallery of Art, Smithsonian Institution Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler / Bridgeman Images
Attendant Cleaner Cleaning Lady Frontispiece Governess Henri Vever Collection Housekeeper Housemaid Iran Isfahan Islamic Art Khamsa Nizami Percussion Instrument Persia Safavid Safavid Period 1501 1722 Maid
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This print captures a scene from the 16th century, showcasing the opulent and vibrant artistry of Persian culture. Titled "A prince hunting" this exquisite piece was created using opaque watercolor, ink, and gold on paper by the talented Persian School. The artwork is part of a dispersed copy of Khamsa (Quintet) by Nizami, an influential poet who lived in the 12th century. This particular print represents the left-hand half of a double-page frontispiece that once adorned this literary masterpiece. Intricate details come to life as we observe a prince engaged in his favorite pastime - hunting. The landscape surrounding him is meticulously depicted with lush greenery and rolling hills, transporting us to another era. An attendant accompanies the prince, carrying what appears to be a percussion instrument. Every element within this composition showcases exceptional craftsmanship and mastery of illumination techniques prevalent during the Safavid period (1501-1722). The use of gold accents adds depth and richness to every stroke. This remarkable artwork now finds its home at the Freer Gallery of Art in Smithsonian Institution, USA. It serves as an invaluable testament to Persian Islamic art's enduring legacy while offering viewers a glimpse into Iran's rich cultural heritage during that time period.
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