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St. Francis Preaching to the Birds and Blessing Montefalco, 1452 (fresco)
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St. Francis Preaching to the Birds and Blessing Montefalco, 1452 (fresco)
ALI228898 St. Francis Preaching to the Birds and Blessing Montefalco, 1452 (fresco) by Gozzoli, Benozzo di Lese di Sandro (1420-97); San Francesco, Montefalco, Italy; (add.info.: kneeling from front: Master Marcus, c14th bishop of Sarsina and later Marsico Nuovo; Fra Jacopo who commissioned the work; ); Alinari
Media ID 23256418
© Alinari / Bridgeman Images
Assisi Benediction Blessedness Blessing Continuous Narrative Cycle Donor Francis Franciscan God Blessing Mitre Preacher Sanctification Sanctify Life Of St
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EDITORS COMMENTS
This fresco, titled "St. Francis Preaching to the Birds and Blessing Montefalco" transports us to a moment of profound spirituality and connection with nature. Created by the talented artist Benozzo di Lese di Sandro Gozzoli in 1452, this masterpiece is housed in the San Francesco church in Montefalco, Italy. The painting depicts St. Francis of Assisi preaching to a flock of birds while blessing the town of Montefalco. The scene is filled with symbolism and religious significance as St. Francis, known for his love for all creatures great and small, imparts his teachings even to these feathered beings. In the foreground, we see two figures kneeling before St. Francis: Master Marcus, a bishop from Sarsina who later became Bishop of Marsico Nuovo; and Fra Jacopo, who commissioned this remarkable work of art. Their presence adds depth to the narrative and emphasizes their devotion to both St. Francis and their community. The backdrop showcases the picturesque townscape of Bevagna against Monte Subasio's majestic silhouette—a reminder that spirituality can be found not only within churches but also amidst God's creation. Gozzoli's skillful use of color and intricate details bring this fresco to life—each brushstroke capturing the essence of faith, sanctification, blessedness, and divine grace bestowed upon Montefalco by its patron saint. As we admire this Renaissance masterpiece from afar through a print courtesy
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