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View of the Baths of Trajan, from the Views of Rome series, c. 1760 (etching)

View of the Baths of Trajan, from the Views of Rome series, c. 1760 (etching)


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View of the Baths of Trajan, from the Views of Rome series, c. 1760 (etching)

XJF497232 View of the Baths of Trajan, from the Views of Rome series, c.1760 (etching) by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info.: Vedute di Roma, Veduta degli Avanzi delle Fabbriche del Secondo Piano delle Terme di Tito. The Baths of Trajan, wrongly called the Baths of Titus. ); Italian, out of copyright

Media ID 12915962

© www.bridgemanart.com

Avanzi Baths Degli Delle Piano Public Roma Ruined Series Terme Thermae Tito Titus Trajan Veduta Vedute Fabbriche Secondo


EDITORS COMMENTS
This etching, titled "View of the Baths of Trajan" is part of Giovanni Battista Piranesi's renowned Views of Rome series. Created around 1760, this print showcases the remarkable Roman architecture and ancient ruins that have fascinated art enthusiasts for centuries. In this particular artwork, Piranesi transports us back in time to witness the grandeur and splendor of the Baths of Trajan. The artist masterfully captures the intricate details and scale of these public thermae, which were mistakenly referred to as the Baths of Titus. The scene depicted in this etching is a testament to Piranesi's exceptional talent for architectural representation. The viewer is immersed in a world where towering columns, arches, and crumbling structures evoke a sense of awe and wonderment. It serves as a reminder that even in ruinous states, these remnants from antiquity continue to inspire admiration. Piranesi's meticulous attention to detail brings life to every corner of this composition. From the weathered textures on each stone surface to the play between light and shadow throughout the scene, his artistic prowess shines through. As we gaze upon this print from our private collection today, we are transported back in time to experience firsthand one aspect of Rome's rich history. This artwork stands as a testament not only to Piranesi's skill but also as an enduring tribute to ancient Roman civilization itself.

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