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Two Tax Gatherers, c. 1540 (oil on panel)

Two Tax Gatherers, c. 1540 (oil on panel)


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Two Tax Gatherers, c. 1540 (oil on panel)

3849856 Two Tax Gatherers, c.1540 (oil on panel) by Reymerswaele, Marinus van (c.1490-c.1567) (attr. to); 92x74.6 cm; National Gallery, London, UK; Photo © Derek Bayes. All rights reserved 2022

Media ID 23621168

© Derek Bayes. All rights reserved 2022 / Bridgeman Images

Coins Contorted Corrupt Corruption Extravagant Greed Greedy Grotesque Grotesques Hideous Ledger Panelled Sneer Tax Gatherer Ugly Benelux Countries Dutch Netherlands Hollander Hollanders Netherland Netherlands Holland Dutch Social History The Netherland


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> Arts > Artists > R > Marinus van Reymerswaele

> Arts > Pop art > Satire > Satirical artwork

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> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > Paintings

> Fine Art Finder > Artists > Giovanni Boldini

> Popular Themes > Money


EDITORS COMMENTS
This print showcases the painting "Two Tax Gatherers" by Marinus van Reymerswaele, a renowned artist from the 16th century. The oil on panel artwork, measuring 92x74.6 cm, can be found at the National Gallery in London, UK. The painting portrays a satirical scene that delves into themes of greed and corruption prevalent during that era. Two tax gatherers are depicted in grotesque caricature form, their contorted faces and sneering expressions reflecting their insatiable desire for wealth. Seated at a table with ledgers and piles of coins before them, they represent the oppressive nature of tax collection. Reymerswaele's mastery is evident in his ability to capture not only the physical ugliness but also the moral repugnance of these characters. Through this work, he offers a scathing critique of society's obsession with money and power. The composition exudes an extravagant atmosphere through its detailed rendering of textures and intricate brushwork. It provides valuable insight into social history while shedding light on the corrupt practices prevalent during that time. With this print by Derek Bayes, viewers can appreciate every nuance of Reymerswaele's masterpiece from the comfort of their own homes. It serves as a reminder that art has always been an effective medium for satire and commentary on societal issues throughout history.

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