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Descent to the hell, c. 1492 (fresco)

Descent to the hell, c. 1492 (fresco)


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Descent to the hell, c. 1492 (fresco)

3702448 Descent to the hell, c.1492 (fresco) by Canavesio, Giovanni (fl.1450-1500); Notre-Dame des Fontaines, La Brigue, France; (add.info.: Giovanni Canavesio possibly with Giovanni Baleison (1463-1492)); eMark Edward Smith; Italian, out of copyright

Media ID 22971636

© Mark Edward Smith / Bridgeman Images

Damned Descent Giovanni Baleison Giovanni Canavesio Hell La Brigue Life Of Christ Monsters Mural Painting Our Lady Of The Fountain Sinners


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> Arts > Artists > B > Giovanni Baleison

> Arts > Street art graffiti > Still life > Murals

> Europe > France > Heritage Sites > Cathedral of Notre-Dame, Former Abbey

> Europe > France > Paintings

> Europe > Italy > Paintings

> Fine Art Finder > Artists > Giovanni Canavesio


EDITORS COMMENTS
This print captures the intense and haunting fresco titled "Descent to the Hell" by Giovanni Canavesio. Created around 1492, this masterpiece can be found within the Notre-Dame des Fontaines in La Brigue, France. The artist's collaboration with Giovanni Baleison is evident in the intricate details and profound emotions portrayed. The mural painting depicts a pivotal moment from the life of Christ, as he descends into hell to save the damned souls. Sinners are shown writhing in agony while grotesque monsters surround them, representing their torment and despair. Our Lady of the Fountain stands at Christ's side, symbolizing hope and salvation amidst this dark scene. Canavesio's skillful brushwork brings forth an atmosphere of anguish and desperation that resonates deeply with viewers. Every stroke reveals his mastery over capturing human suffering and divine intervention simultaneously. This 15th-century artwork serves as a powerful reminder of humanity's capacity for sin but also offers solace through redemption. Its preservation throughout centuries allows us to appreciate its historical significance and artistic brilliance. As we gaze upon this remarkable print by Mark Edward Smith, we are transported back in time to witness a pivotal moment in Christian iconography—a testament to Canavesio's talent and his ability to evoke strong emotions through his artistry.

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