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Descent to the hell, c. 1492 (fresco) (detail of 3702448)
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Descent to the hell, c. 1492 (fresco) (detail of 3702448)
3702465 Descent to the hell, c.1492 (fresco) (detail of 3702448) by Canavesio, Giovanni (fl.1450-1500); Notre-Dame des Fontaines, La Brigue, France; (add.info.: Giovanni Canavesio possibly with Giovanni Baleison (1463-1492)); eMark Edward Smith; Italian, out of copyright
Media ID 22236114
© Mark Edward Smith / Bridgeman Images
Damned Descent Giovanni Baleison Giovanni Canavesio Hell La Brigue Life Of Christ Monsters Mural Painting Our Lady Of The Fountain Pitchfork Sinners
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EDITORS COMMENTS
This print captures a mesmerizing detail of the fresco "Descent to the Hell" by Giovanni Canavesio, dating back to around 1492. Located in Notre-Dame des Fontaines in La Brigue, France, this masterpiece is an integral part of the church's interior. The artist's expertise shines through as he depicts a scene from the life of Christ with remarkable precision and depth. In this particular section of the fresco, we witness a haunting descent into hell. Sinners and damned souls are depicted writhing in agony amidst a nightmarish landscape. The attention to detail is truly awe-inspiring; monstrous creatures lurk menacingly while wielding pitchforks, adding an eerie atmosphere to the composition. Giovanni Canavesio's collaboration with Giovanni Baleison possibly contributed to the creation of this powerful artwork. The painting skillfully portrays our Lady of the Fountain alongside Jesus as they navigate through this infernal realm. The print beautifully preserves every brushstroke and color variation, allowing us to appreciate Canavesio's mastery even centuries later. It serves as a testament to his artistic legacy and provides viewers with an opportunity to delve into 15th-century religious art. As we gaze upon this image, we can't help but be drawn into its intensity and symbolism. It reminds us of humanity's struggle between good and evil while showcasing Canavesio's ability to bring such profound narratives vividly to life on canvas or plastered walls like these ones at Notre
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