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Entroned Madonna with Child and st John the Baptist, st Cosmas, st Damian, c.1507 (oil on wood)
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Entroned Madonna with Child and st John the Baptist, st Cosmas, st Damian, c.1507 (oil on wood)
8620037 Entroned Madonna with Child and st John the Baptist, st Cosmas, st Damian, c.1507 (oil on wood) by Cima da Conegliano, Giovanni Battista (c.1459-1517); Galleria Nazionale (Complesso Monumentale della Pilotta), Parma, Emilia-Romagna, Italy; (add.info.: Entroned Madonna with Child and st John the Baptist, st Cosmas, st Damian, st Apollonia, st Catherine of Alexandria and st John the evangelist ?, 1507 circa, Cima da Conegliano, oil on wood, national gallery, monumental complex of Pilotta, Parma, Italy); Photo © Stefano Baldini
Media ID 38701146
© Photo © Stefano Baldini / Bridgeman Images
Art Fine Art Bible Character Blessed Virgin Mary Chiristianity Christ The King Christianity Religion Enthroned Fiddlers Holy Virgin John The Bapist John The Baptist Madonna And Child Madonna With Child Mary And Child Mater Dei S John Baptist Saint John The Baptist St John The Baptist St Mary The Virgin Violin Player Violinist Violinists Virgin And Child Virgin Mry Virgo Immaculata Biblical Charcter Blessed Virgin C16h Christ Jesus Jesus Of Nazareth
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EDITORS COMMENTS
In this exquisite oil on wood painting, Cima da Conegliano masterfully captures the essence of devotion and reverence in "Entroned Madonna with Child and St John the Baptist, St Cosmas, St Damian" (c.1507). The Galleria Nazionale's prized possession is a testament to the artist's skill in conveying the sacred through his brushstrokes.
The Virgin Mary sits enthroned, cradling her child Jesus while surrounded by a gathering of saints: John the Baptist, Cosmas, Damian, Apollonia, Catherine of Alexandria, and John the Evangelist. Each figure is rendered with remarkable attention to detail and emotion. The soft folds of Mary's robes seem to whisper secrets to her son as he gazes up at her lovingly.
Meanwhile, St John the Baptist stands tall beside them, his gaze fixed intently on Christ. His presence serves as a reminder of his role as forerunner and precursor to Jesus' ministry. The other saints add depth and context to this holy assembly, their faces filled with an air of quiet contemplation.
This stunning work not only showcases Cima da Conegliano's technical prowess but also invites viewers into a world where faith and art converge. As we behold this masterpiece from 16th-century Italy, we are reminded that even centuries later, its beauty continues to inspire awe and reverence.
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