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Polyphemus, Zeus and Olympia and Pasiphae, East Wall, Chamber of Cupid and Psyche (Sala di Amore e Psiche), 1526-1528
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Polyphemus, Zeus and Olympia and Pasiphae, East Wall, Chamber of Cupid and Psyche (Sala di Amore e Psiche), 1526-1528
2384697 Polyphemus, Zeus and Olympia and Pasiphae, East Wall, Chamber of Cupid and Psyche (Sala di Amore e Psiche), 1526-1528 by Romano, Giulio (1492-1546) (and workshop); Palazzo del Te, Mantua, Italy; (add.info.: Mantova, Palazzo Te (Residenza estiva dei Gonzaga), Sala di Amore e Psiche: parete est, al centro Polifemo, a sinistra Giove e Olimpia, a destra Pasifae. Affreschi di Giulio Romano e aiuti (1526 - 1528). I ventidue passi illustrati da Giulio Romano a Palazzo Te sono tratti dalle Metamorfosi di Apuleio, scrittore latino del II secolo d. C.
Mantua, Palazzo Te (Gonzagas summer residence), Sala di Amore e Psiche (Chamber of Cupid and Psyche): east wall. At the centre, Polyphemus, on the left Zeus and Olympia, on the right Pasiphae. Frescoes by Giulio Romano (1526 - 1528) who got his inspiration from Apuleius Metamorphoses.); Ghigo Roli
Media ID 25130966
© Ghigo Roli / Bridgeman Images
Apuleius Ceiling Coffer Cupid Cyclope Goddes Gods Gonzaga Mantova Mantua Mythical Olympia Olympus Palazzo Del Te Psyche Zeus Pasiphae
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EDITORS COMMENTS
The print captures a mesmerizing scene from the Chamber of Cupid and Psyche in Palazzo del Te, Mantua. Painted by Giulio Romano and his workshop between 1526-1528, this fresco on the east wall showcases an intricate depiction of Polyphemus, Zeus and Olympia, and Pasiphae. At the center of the composition stands Polyphemus, the one-eyed Cyclops from Greek mythology. His imposing figure dominates the scene as he gazes intensely at something beyond our view. To his left are Zeus and Olympia, exuding power and regality with their divine presence. On his right is Pasiphae, known for her tragic love affair with a bull that resulted in the birth of the Minotaur. The attention to detail in this painting is remarkable; every brushstroke brings life to these mythical characters. The architectural elements surrounding them add depth to the composition while showcasing Romano's mastery over perspective. Inspired by Apuleius' Metamorphoses, Romano skillfully translates these ancient tales into visual form. The frescoes in Palazzo del Te serve as a testament to both his artistic prowess and his ability to breathe life into mythological narratives. This print allows us to appreciate not only Romano's talent but also serves as a window into a world where gods walk among mortals – where stories come alive through art.
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