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Farm yard with beggar Painting by Cornelius Van Dalem (or Cornelis, 1545-1573) 16th century. Oil on wood. Sun: 0, 38x0, 52m Paris, musee du Louvre
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Farm yard with beggar Painting by Cornelius Van Dalem (or Cornelis, 1545-1573) 16th century. Oil on wood. Sun: 0, 38x0, 52m Paris, musee du Louvre
JLJ4585797 Farm yard with beggar Painting by Cornelius Van Dalem (or Cornelis, 1545-1573) 16th century. Oil on wood. Sun: 0, 38x0, 52m Paris, musee du Louvre by Dalem, Cornelis van (1545-1573); Louvre, Paris, France; (add.info.: Farm yard with beggar Painting by Cornelius Van Dalem (or Cornelis, 1545-1573) 16th century. Oil on wood. Sun: 0, 38x0, 52m Paris, musee du Louvre); Photo © Photo Josse
Media ID 25153814
© Josse / Bridgeman Images
Beggar Begging Charity Distrust Farm Buildings Farrm Flemish Style Grayling Homemade Mendicant Misery Pauper Quest Tramp Vagabond Vigilance Ranch
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EDITORS COMMENTS
This print showcases the painting "Farm yard with beggar" by Cornelius Van Dalem, a renowned Flemish artist from the 16th century. The artwork, created using oil on wood, measures 0.38x0.52m and is currently housed in the Musee du Louvre in Paris. The painting depicts a scene of daily life on a farm, where a beggar stands amidst rustic farm buildings and fields. The artist's mastery of detail brings to life the misery and poverty experienced by this lone figure. The grayling tones used throughout evoke a sense of hardship and despair. In this flemish style composition, we witness the contrast between the humble peasant farmer going about his work and the destitute beggar seeking charity. There is an air of distrust as both parties cautiously observe each other. The image serves as a reminder of the harsh realities faced by those living in poverty during this era. It prompts us to reflect on our own privilege while inspiring compassion towards those less fortunate. Through his skillful brushwork, Van Dalem invites viewers into this world filled with human struggle and resilience. This thought-provoking artwork continues to captivate audiences even centuries after its creation. (Photo: © Photo Josse)
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