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Nave Nave Fenua from the Noa Noa Series, 1893-94 (woodcut printed in colours on heavy japan paper)
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Nave Nave Fenua from the Noa Noa Series, 1893-94 (woodcut printed in colours on heavy japan paper)
996261 Nave Nave Fenua from the Noa Noa Series, 1893-94 (woodcut printed in colours on heavy japan paper) by Gauguin, Paul (1848-1903); 36.5x20.3 cm; Art Gallery of Ontario, Toronto, Canada; (add.info.: Nave Nave Fenua, The Delightful Land for the Noa Noa fragrance. ); © Art Gallery of Ontario; Purchased as a gift of the Trier-Fodor Fund, 2005
Media ID 22248332
© Art Gallery of Ontario Purchased as a gift of the Trier-Fodor Fund, 2005 / Bridgeman Images
Fragrance French Polynesia Polynesian Tahiti Tahitian
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EDITORS COMMENTS
This woodcut print, titled "Nave Nave Fenua from the Noa Noa Series" transports viewers to the enchanting world of French Polynesia in the late 19th century. Created by renowned artist Paul Gauguin, this piece measures 36.5x20.3 cm and is housed at the Art Gallery of Ontario in Toronto, Canada. The image depicts a Tahitian woman surrounded by lush foliage and vibrant flowers, evoking a sense of tranquility and natural beauty. Gauguin's use of bold colors and intricate details brings this scene to life, capturing the essence of Tahiti's allure. "Nave Nave Fenua" translates to "The Delightful Land" which perfectly encapsulates the fragrance that inspired this artwork as part of the Noa Noa series. The delicate scent adds another layer to our sensory experience as we immerse ourselves in Gauguin's interpretation of French Polynesian culture. As we gaze upon this woodcut print, we are transported back in time to an era when Tahiti was still relatively untouched by Western influence. Gauguin sought refuge on these shores, seeking inspiration for his art while embracing a simpler way of life. Through his masterful brushstrokes or rather carvings on woodblocks, Gauguin invites us into his vision of paradise – one where nature reigns supreme and serenity abounds. This artwork serves as a reminder that even amidst modernity's chaos, there
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