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Inferno, Canto 19 : Dante rebukes Pope Nicholas III (Nicolas III) in the fourth bolgia

Inferno, Canto 19 : Dante rebukes Pope Nicholas III (Nicolas III) in the fourth bolgia


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Inferno, Canto 19 : Dante rebukes Pope Nicholas III (Nicolas III) in the fourth bolgia

GIA745709 Inferno, Canto 19 : Dante rebukes Pope Nicholas III (Nicolas III) in the fourth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore, Gustave (1832-83); Private Collection; (add.info.: Dante Alighieri (1265-1321) Italian author and poet. Divina Commedia.); eGiancarlo Costa; French, out of copyright

Media ID 23694602

© Giancarlo Costa / Bridgeman Images

1265 1321 13 13o Xiii Xiiio Secolo Dore Gustave Duecento Enfer Hell Incisione Inferno Letteratura Litt And Xe9 Litterature Medioevale Medioevo Moyen Age Papa Pape Po And Xe9 Poesia Poesie Quattordicesimo Secolo Rature Trecento Tredicesimo Secolo Virgilio 13 13th Xiii Xiiith Century 14 14o Xiv Xivo Secolo 14 14th Xiv Xivth Century


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Inferno, Canto 19 - Dante rebukes Pope Nicholas III in the fourth bolgia

EDITORS COMMENTS
. This print captures a pivotal moment from Dante Alighieri's epic poem, The Divine Comedy. Illustrated by Gustave Dore in 1885 and digitally colored, it depicts an intense scene where Dante confronts Pope Nicholas III in the depths of Hell. In this mesmerizing artwork, we witness the power of visual storytelling as Dore brings to life the vivid imagery described by Dante. The fourth bolgia is a place reserved for corrupt politicians and church leaders who abused their positions for personal gain. Here, Dante boldly challenges Pope Nicholas III for his sins during his papacy. The intricate details and masterful use of shading draw us into this dark underworld. We can almost feel the heat emanating from the flames that surround them as they engage in a heated exchange. This illustration perfectly captures the tension between righteousness and corruption, highlighting Dante's unwavering commitment to justice. As we gaze upon this remarkable piece of artistry, we are reminded of both its historical significance and its timeless relevance. It serves as a powerful reminder that even those entrusted with great authority must be held accountable for their actions. Giancarlo Costa's skillful preservation of this masterpiece ensures that future generations can continue to appreciate its beauty while contemplating profound themes such as morality, power dynamics, and divine retribution.

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