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Panorama of the city of the great dirty lake, quoting the Saints (Utah)
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Panorama of the city of the great dirty lake, quoting the Saints (Utah)
LSE4324939 Panorama of the city of the great dirty lake, quoting the Saints (Utah), drawing by Ferogio, to illustrate Richard Burtons journey to the city of Saints, capital of the land of Mormons, in 1860. Engraving in " Le tour du monde", edited by Edouard Charton, 1862. Selvas collection. by Ferogio, Francois Fortune Antoine (1805-88) (after); Private Collection; (add.info.: Panorama of the city of the great dirty lake, quoting the Saints (Utah), drawing by Ferogio, to illustrate Richard Burtons journey to the city of Saints, capital of the land of Mormons, in 1860. Engraving in " Le tour du monde", edited by Edouard Charton, 1862. Selvas collection.); Photo eLeonard de Selva; French, out of copyright
Media ID 22746940
© Leonard de Selva / Bridgeman Images
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EDITORS COMMENTS
This print titled "Panorama of the city of the great dirty lake, quoting the Saints (Utah)" takes us back to a significant moment in history. The drawing by Ferogio beautifully illustrates Richard Burton's journey to the city of Saints, the capital of the land of Mormons, in 1860. As we gaze upon this engraving from "Le tour du monde" edited by Edouard Charton in 1862, we are transported to a time when urban planning was still evolving. The image showcases an expansive view of a city that is both awe-inspiring and thought-provoking. The intricate details captured by Ferogio allow us to appreciate not only the architectural marvels but also glimpse into the lives and habitat of those who called this place home. It serves as a testament to human ingenuity and perseverance. The significance of this image lies not just in its artistic value but also in its historical context. It provides us with a window into America's past, specifically North America during the 19th century. This visual documentation sheds light on an important chapter in American history - one that shaped communities and influenced cultural landscapes. Through Leonard de Selva's lens, we can explore this remarkable piece without limitations or boundaries. Let it serve as a reminder that art has always been instrumental in preserving our heritage and understanding our roots.
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