Federigo Oricono, 1558. In a suit of armour with silk surcoat in plush covering the breastplate and backplate, sleeve armour pauldrons and elbow pieces, and slops or wide breeches. Helmet on the ground. Tournament baton and want-blade at bottom

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Federigo Oricono, 1558. In a suit of armour with silk surcoat in plush covering the breastplate and backplate, sleeve armour pauldrons and elbow pieces, and slops or wide breeches. Helmet on the ground. Tournament baton and want-blade at bottom

FLO4678252 Federigo Oricono, 1558. In a suit of armour with silk surcoat in plush covering the breastplate and backplate, sleeve armour pauldrons and elbow pieces, and slops or wide breeches. Helmet on the ground. Tournament baton and want-blade at bottom. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.; (add.info.: Federigo Oricono, 1558. In a suit of armour with silk surcoat in plush covering the breastplate and backplate, sleeve armour pauldrons and elbow pieces, and slops or wide breeches. Helmet on the ground. Tournament baton and want-blade at bottom. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.); © Florilegius

Media ID 38466536

© © Florilegius / Bridgeman Images

1558 Ancient Armour Arme Armure Bataille Baton Breastplate Cavalerie Critical Inquiry Into Antient Armour Infantry Maddocks Manteau Overcoat Pauldrons Plush Silk Sir Samuel Rush Meyrick Slops Suit Of Armour Surcoat Tournament Vetement Backplate

EDITORS COMMENTS
This stunning print captures the essence of Federigo Oricono in 1558, clad in a magnificent suit of armor with a silk surcoat in plush covering the breastplate and backplate. His sleeve armor pauldrons and elbow pieces add an extra layer of protection, while his slops or wide breeches complete the look. The helmet resting on the ground beside him hints at a moment of rest during what must have been an intense tournament. A tournament baton and want-blade lie at the bottom of the image, ready for action at a moment's notice. The hand-colored lithograph by Maddocks beautifully brings to life an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's "A Critical Inquiry into Antient Armour." The attention to detail is evident in every aspect of this artwork, from Oricono's intricate armor to the lush surroundings that set the scene. As you gaze upon this print, you can almost hear the clashing of swords and feel the energy pulsating through each figure depicted. It serves as a timeless reminder of a bygone era when chivalry reigned supreme and knights like Federigo Oricono stood tall as symbols of honor and bravery.

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