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A Sacrifice in a Confucian Temple (litho)
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A Sacrifice in a Confucian Temple (litho)
8661062 A Sacrifice in a Confucian Temple (litho) by Wright, Henry Charles Seppings (1850-1937); Private Collection; (add.info.: A Sacrifice in a Confucian Temple. Under the Liang Dynasty, Confucian Temples were definitely established. The worship of the sage had been carried out previously in a more or less intermittent fashion, and in the fourth century a shrine had been built in his honour; but it was not until AD 505 that the first Confucian Temple was erected for the sacrifice of animals - the ox, sheep and pig; for musical rites with dancing, and for the display of a portrait of Confucius, for which under the Mings a wooden tablet was substituted. Illustration for Hutchinson's History of the Nations (Hutchinson, c.1920). Note: Image has been digitally enhanced to facilitate repro.); © Look and Learn
Media ID 38297028
© © Look and Learn / Bridgeman Images
4 4th Iv Ivth Century 4th 4th 4th Iv Iv 4th Century 4th Century C4th Confucianism Confucius Devotion Divine Sacrifice Ewes Flock Of Sheep Flocks Fourth Century Ivth Century Oxen Piety Piggies Pigs Sacrifice Self Sacrifice Sheeps Shrine Shrine Chamber Worshipper Worshipping
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EDITORS COMMENTS
This stunning lithograph captures the solemnity and tradition of a Sacrifice in a Confucian Temple during the Liang Dynasty. The scene depicts worshippers paying homage to the sage Confucius through the sacrifice of animals - oxen, sheep, and pigs - as well as musical rites with dancing. The first Confucian Temple was erected in AD 505 for these sacred rituals, which included displaying a portrait of Confucius.
The image is rich in historical detail, showcasing the religious devotion and piety of the worshippers as they participate in this ancient ceremony. The intricate architecture of the temple, along with the presence of farm animals being offered as sacrifices, adds depth to this portrayal of traditional Chinese culture.
As we gaze upon this print, we are transported back in time to witness a momentous occasion that has been captured for posterity. The black-and-white composition enhances the sense of reverence and solemnity surrounding this ritualistic event.
A true masterpiece from Henry Charles Seppings Wright, this lithograph serves as a window into a bygone era where faith and tradition intertwined to create moments of divine sacrifice and spiritual connection within the confines of a Confucian Temple.
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