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Theatrical representation: "Ninety-three"("Ninety-three") by Paul Meurice (1818-1905) by Victor Hugo (1802-1885). The fire of the Tourgue (10th painting): the Marquis de Lantenac
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Theatrical representation: "Ninety-three"("Ninety-three") by Paul Meurice (1818-1905) by Victor Hugo (1802-1885). The fire of the Tourgue (10th painting): the Marquis de Lantenac
XEE4175994 Theatrical representation: " Ninety-three" (" Ninety-three" ) by Paul Meurice (1818-1905) by Victor Hugo (1802-1885). The fire of the Tourgue (10th painting): the Marquis de Lantenac, after saving the lives of the children of the Flecharde, gives himself to the Republicans shouting " Long live the King! " Paris, Theatre de la Gaiete, 1882. Engraving by Adrien Marie In " The Illustrous World" n'1293 of January 14, 1882. by Marie, Adrien Emmanuel (1848-91); Private Collection; (add.info.: Theatrical representation: " Ninety-three" (" Ninety-three" ) by Paul Meurice (1818-1905) by Victor Hugo (1802-1885). The fire of the Tourgue (10th painting): the Marquis de Lantenac, after saving the lives of the children of the Flecharde, gives himself to the Republicans shouting " Long live the King! " Paris, Theatre de la Gaiete, 1882. Engraving by Adrien Marie In " The Illustrous World" n'1293 of January 14, 1882.); Stefano Bianchetti
Media ID 23701894
© Stefano Bianchetti / Bridgeman Images
Arson Heroism Hugo Royalist Movement Scale Victor 1802 1885 C European Economic Community C European Union
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This print captures a scene from the theatrical representation of "Ninety-three" by Paul Meurice and Victor Hugo. The image showcases the intense moment of the fire at Tourgue, depicted as the 10th painting in the play. The central figure is Marquis de Lantenac, portrayed with great intensity and emotion by an unknown actor. After saving the lives of the children of Flecharde, he defiantly gives himself up to the Republicans while shouting "Long live the King!". The photograph was taken during a performance at Theatre de la Gaiete in Paris in 1882. It is an engraving created by Adrien Marie and featured in "The Illustrous World" magazine on January 14th, 1882. The level of detail captured in this print is remarkable, showcasing every expression and gesture with precision. This particular print belongs to a private collection and was acquired by Stefano Bianchetti for Fine Art Finder. It serves as a testament to both historical events and artistic brilliance that have made this theatrical representation so iconic. Through this image, viewers are transported back to witness a powerful moment on stage where passion meets politics. It encapsulates not only Hugo's genius storytelling but also highlights how art can provoke thought and ignite emotions within its audience even after more than a century has passed since its creation.
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