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Milon as Don Luis in Ines, or La Chute d'un ministre by Don Ramon de Navarrete, Theatre Royal de L'Odeon, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique

Milon as Don Luis in Ines, or La Chute d'un ministre by Don Ramon de Navarrete, Theatre Royal de L'Odeon, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique


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Milon as Don Luis in Ines, or La Chute d'un ministre by Don Ramon de Navarrete, Theatre Royal de L'Odeon, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique

FLO4631178 Milon as Don Luis in Ines, or La Chute d'un ministre by Don Ramon de Navarrete, Theatre Royal de L'Odeon, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.; (add.info.: Milon as Don Luis in Ines, or La Chute d'un ministre by Don Ramon de Navarrete, Theatre Royal de L'Odeon, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.); © Florilegius

Media ID 38462782

© © Florilegius / Bridgeman Images

Acteur Alexander Lacauchie Alexandre Lacauchie Costume Internship Costumes Des Theatres De Paris Costumes Of The Theatres De Paris Dramatic Gallery Galerie Dramatique Louis Lasalle Royal Theatre Of Lodeon Stage Costume Theatre Royal De Lodeon Victor Dollet Ines


EDITORS COMMENTS
This stunning handcoloured lithograph captures the essence of 19th-century French theatre, showcasing Milon as Don Luis in "Ines, or La Chute d'un ministre" by Don Ramon de Navarrete at the Theatre Royal de L'Odeon in 1845. The intricate details of his costume and the dramatic pose he strikes on stage are brought to life through the skilled illustration by Alexandre Lacauchie. The image transports us back to a time when theatre was a grand spectacle, with actors like Milon embodying their characters with passion and flair. The play itself, filled with intrigue and political drama, would have captivated audiences of the era. Victor Dollet's Galerie Dramatique provides us with a glimpse into the world of Parisian theatre during this period, showcasing not only the actors but also the elaborate costumes that were an integral part of bringing these characters to life on stage. As we admire this print, we can almost hear the applause from the audience and feel the excitement in the air as Don Luis takes center stage. It serves as a reminder of both the artistry and craftsmanship that went into creating such theatrical productions during this golden age of French drama.

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