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Title page depicting the troubles in Astrakhan during the time of cholera in Russia

Title page depicting the troubles in Astrakhan during the time of cholera in Russia


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Title page depicting the troubles in Astrakhan during the time of cholera in Russia

XIR386409 Title page depicting the troubles in Astrakhan during the time of cholera in Russia, illustration from the illustrated supplement of Le Petit Journal, 6th August, 1892 (colour litho) by Meyer, Henri (1844-99); Private Collection; (add.info.: Page de titre; les troubles a Astrakhan, le cholera en Russie; ); French, out of copyright

Media ID 12871375

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Anger Disease Disorder Front Page Illness Sick Unrest Flames


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EDITORS COMMENTS
This title page print, created by Henri Meyer in 1892, vividly depicts the tumultuous times in Astrakhan during the cholera outbreak in Russia. The illustration was featured as part of the illustrated supplement of Le Petit Journal on August 6th that year. In this colorful lithograph, chaos and disorder reign supreme. A massive crowd fills the scene, their faces etched with fear and anger. The atmosphere is charged with unrest as people fight against an invisible enemy - disease itself. Flames engulf buildings in the background, symbolizing both literal fires ravaging through Astrakhan and metaphorical flames of desperation burning within its inhabitants. The wounded and injured lie scattered amidst the mayhem, representing the toll that cholera has taken on human lives. This image serves as a stark reminder of how illness can bring even the mightiest to their knees. Meyer's masterful composition captures not only physical suffering but also psychological distress. Every brushstroke seems to convey a sense of urgency and despair felt by those affected by this devastating epidemic. As we gaze upon this historical document today, it serves as a poignant reminder of humanity's resilience in times of crisis. It reminds us to appreciate our health while acknowledging that diseases have long plagued societies throughout history – leaving behind scars that are etched not only on bodies but also within collective memory.

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