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Grave stone of Agnes Bernauer (1410-1436), mistress of Albert III of Baviere (1401-1460), in the chapel dedicated to him in Straubing (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work "Costumes
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Grave stone of Agnes Bernauer (1410-1436), mistress of Albert III of Baviere (1401-1460), in the chapel dedicated to him in Straubing (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work "Costumes
FLO4643759 Grave stone of Agnes Bernauer (1410-1436), mistress of Albert III of Baviere (1401-1460), in the chapel dedicated to him in Straubing (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work "Costumes, crafts and instruments from the Middle Ages to the end of the 18th century", published by Heinrich Keller, Frankfurt, 1883; (add.info.: Grave stone of Agnes Bernauer (1410-1436), mistress of Albert III of Baviere (1401-1460), in the chapel dedicated to him in Straubing (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work "Costumes, crafts and instruments from the Middle Ages to the end of the 18th century", published by Heinrich Keller, Frankfurt, 1883); © Florilegius
Media ID 38465114
© © Florilegius / Bridgeman Images
Chaplet 15th 15 Xv Xvth Fifteenth Century
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EDITORS COMMENTS
This stunning chromolithograph print captures the grave stone of Agnes Bernauer, a tragic figure from history who was the mistress of Albert III of Bavaria. The intricate details of the drawing by Jakob Heinrich von Hefner-Alteneck bring to life the solemn beauty of the chapel dedicated to her in Straubing, Germany.
Agnes Bernauer's story is one of love, betrayal, and ultimately tragedy. As the mistress of Albert III, she faced persecution and discrimination due to her low social status. Despite their love for each other, their relationship was doomed from the start.
The image on this print evokes a sense of melancholy and remembrance for Agnes Bernauer's untimely end. The delicate lines and vibrant colors used in this chromolithography highlight her grace and beauty even in death.
Displayed prominently in Hefner-Alteneck's work "Costumes, crafts and instruments from the Middle Ages to the end of the 18th century," this print serves as a poignant reminder of a woman whose life was cut short by societal norms and political intrigue.
As we gaze upon this depiction of Agnes Bernauer's grave stone, we are reminded that true love knows no bounds but can sometimes come at a great cost.
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