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Orientalist Study with Seated Woman, c. 1850-1900 (mantochrome, paper-taped)

Orientalist Study with Seated Woman, c. 1850-1900 (mantochrome, paper-taped)


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Orientalist Study with Seated Woman, c. 1850-1900 (mantochrome, paper-taped)

990444 Orientalist Study with Seated Woman, c.1850-1900 (mantochrome, paper-taped) by Mante, Louis Amedee (1826-1913) & Goldschmidt, Edmond (1863-1934); 17.78x12.7 cm; Private Collection; (add.info.: Orientalist Study with Seated Woman. Louis Amedee Mante (1826-1913) and Edmond Goldschmidt (1863-1934). Mantochrome, paper-taped. Photographed late 19th century. 17.78 x 12.7cm.); Photo eChristies Images; out of copyright

Media ID 22523756

© Christie's Images / Bridgeman Images

1850 1850s 1900 Academi Academic Art Academic School Academic Style Cross Legged Crosslegged Direct Gaze Etude Furnishing Looking At Camera Mid 19th Century Mid Nineteenth Century Orientalism Orientalist Orientalist Art Soft Furnishing Studies Wall Hanging Wall Hangings Wallhanging Artist French Ethnic Origin French Art French Artist Goldschmidt Mante Portrait Style Portraiture Young Woman


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EDITORS COMMENTS
This photograph, titled "Orientalist Study with Seated Woman" offers a glimpse into the world of 19th-century Orientalism. The image, captured by French photographers Louis Amedee Mante and Edmond Goldschmidt in the late 19th century, showcases their mastery of mantochrome photography. Measuring at 17.78 x 12.7 cm, this intimate portrait depicts a young woman seated cross-legged on a soft furnishing. Her direct gaze towards the camera exudes confidence and curiosity. Dressed in traditional attire, her Asian ethnicity adds to the allure of this orientalist study. The composition is reminiscent of academic art from that era, with its meticulous attention to detail and emphasis on realistic portrayal. The interior decoration provides an exquisite backdrop for this artistic endeavor. The photograph's color palette is rich and vibrant, enhancing every element within the frame. It beautifully captures not only the physical appearance but also the posture and demeanor of its subject. As we delve into this piece further, it becomes evident that it serves as both a documentation of cultural exploration and an aesthetic pursuit. Through their lens, Mante and Goldschmidt invite us to appreciate not only the beauty but also the complexity of different ethnicities and cultures during that time period. This extraordinary work now resides in a private collection but continues to captivate viewers with its timeless charm and historical significance.

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