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A List of the Principal Colours used in Painting, with Notices of their Chemical and Artistical Properties, by W Linton, Esquire (engraving)

A List of the Principal Colours used in Painting, with Notices of their Chemical and Artistical Properties, by W Linton, Esquire (engraving)


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A List of the Principal Colours used in Painting, with Notices of their Chemical and Artistical Properties, by W Linton, Esquire (engraving)

5199184 A List of the Principal Colours used in Painting, with Notices of their Chemical and Artistical Properties, by W Linton, Esquire (engraving) by English School, (19th century); Private Collection; (add.info.: A List of the Principal Colours used in Painting, with Notices of their Chemical and Artistical Properties, by W Linton, Esquire. Illustration for The Art Journal, 1849.); © Look and Learn

Media ID 23614860

© Look and Learn / Bridgeman Images

Chemical Esquire List Notices Properties Artistical


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EDITORS COMMENTS
This engraving, titled "A List of the Principal Colours used in Painting, with Notices of their Chemical and Artistical Properties" takes us back to the 19th century art world. The print, created by an English School artist, showcases a comprehensive compilation of colors that were commonly employed by painters during that era. The intricate details and meticulous craftsmanship evident in this artwork highlight its historical significance. It serves as a visual testament to the importance placed on understanding both the chemical composition and artistic properties of various pigments. This knowledge was crucial for artists seeking to achieve desired effects in their paintings. The inclusion of notices alongside each color adds an educational element to the piece. These notices likely provided valuable insights into how each pigment could be manipulated or combined with others to create specific hues or textures. Such information would have been invaluable for aspiring artists looking to expand their creative repertoire. This print originally appeared as an illustration in The Art Journal in 1849, further emphasizing its relevance within the artistic community at that time. Its presence within a private collection today speaks volumes about its enduring appeal and value as a historical artifact. As we gaze upon this enchanting engraving, we are transported back to a time when painting was not only seen as an art form but also as a scientific endeavor requiring careful consideration of materials and techniques. It serves as a reminder that behind every stroke of paint lies centuries worth of experimentation and discovery.

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