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Cover of "Le Grelot", numbero 1478, Satirique en Couleurs

Cover of 'Le Grelot', numbero 1478, Satirique en Couleurs


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Cover of "Le Grelot", numbero 1478, Satirique en Couleurs

ICA4924093 Cover of " Le Grelot", numbero 1478, Satirique en Couleurs, 1899_8_6: Dieu Protects France - Anticlericalism, Armee, Dreyfus affair, Conseil de guerre - Dreyfus affair - Dieu, Pigeon (St Esprit) - Illustration by Edouard Guillaumin (Pepin) (1842-1910) by Pepin, Edouard Guillaumin (1842-1927); (add.info.: Cover of " Le Grelot", numbero 1478, Satirique en Couleurs, 1899_8_6: Dieu Protects France - Anticlericalism, Armee, Dreyfus affair, Conseil de guerre - Dreyfus affair - Dieu, Pigeon (St Esprit) - Illustration by Edouard Guillaumin (Pepin) (1842-1910)); Photo eCaricadoc; French, out of copyright

Media ID 23338624

© Caricadoc / Bridgeman Images

Anticlericalism Baton Dreyfus Case Injustice Lawsuit Opposition A Journal Aureole Caricadoc Journalism Justice Newspapers


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> Animals > Birds > Columbiformes > Pigeons > Related Images

> Europe > France > Military

> Fine Art Finder > Artists > Edouard Guillaumin Pepin

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EDITORS COMMENTS
The print captures the cover of "Le Grelot", numbero 1478, a satirical journal from 1899. The illustration by Edouard Guillaumin (Pepin) depicts an intriguing scene titled "Dieu Protects France". In this satirical artwork, various themes and events of the time are cleverly intertwined. At first glance, one can see a haloed figure representing God protecting France. However, upon closer inspection, it becomes apparent that this portrayal is laced with irony and criticism. The pigeon symbolizing the Holy Spirit hovers above God's head while holding a baton labeled "Conseil de guerre" (Court-martial). This alludes to the infamous Dreyfus affair which divided French society during that period. The image also showcases elements of anticlericalism prevalent at the time. It highlights tensions between religion and state as well as issues surrounding justice and military involvement in political affairs. Through caricatured figures and symbolism, Guillaumin skillfully conveys his opposition to injustice within the French army. This photograph offers us a glimpse into late 19th-century France through its vibrant colors and intricate details. It serves as a reminder of how art can be used to comment on social and political issues of its time. As we observe this historical artifact today, we are reminded of the power that satire holds in challenging societal norms and sparking conversations about important matters such as justice, religion, and governance.

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