Monsieur Gogo and the news lists of the Bourse: series of cartoons drawn from "

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Monsieur Gogo and the news lists of the Bourse: series of cartoons drawn from "

LSE4403316 Monsieur Gogo and the news lists of the Bourse: series of cartoons drawn from " News", on the stock exchange and a gogo by Honore Daumier (1808-1879). " Charivari", 1856. by Daumier, Honore (1808-79); Private Collection; (add.info.: Monsieur Gogo and the news lists of the Bourse: series of cartoons drawn from " News", on the stock exchange and a gogo by Honore Daumier (1808-1879). " Charivari", 1856.); Photo eLeonard de Selva; French, out of copyright

Media ID 22899806

© Leonard de Selva / Bridgeman Images

Avarice Businessman Capital Sins Confidence Daumier Exchange Honore 1808 1879 Miser Secret Secrets

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EDITORS COMMENTS
The print captures a series of cartoons titled "Monsieur Gogo and the news lists of the Bourse" by Honore Daumier. Created in 1856 for the French satirical magazine "Charivari" these caricatures depict scenes from the stock exchange, highlighting themes of greed, secrecy, and human folly. In this particular image, we see Monsieur Gogo, a businessman wearing a hat with an air of mystery surrounding him. The engraving adds to the timeless quality of Daumier's work. Through his skilled artistry, Daumier portrays Monsieur Gogo as a miserly figure consumed by capital sins like avarice. The cartoonist cleverly uses symbolism to convey deeper meanings within each scene. The news lists on display represent information that could potentially influence stock market decisions. However, Monsieur Gogo seems to hold secrets close to his chest while engaging in confidence games at the expense of others. Daumier's artwork serves as social commentary on France's financial landscape during the 19th century. It sheds light on issues such as trustworthiness and manipulation within economic systems. This print from Fine Art Finder allows us to appreciate Daumier's mastery in capturing human nature through satire and wit. It invites viewers to reflect not only on historical contexts but also on how these themes still resonate today in our modern world dominated by finance and ambition.

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