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Four corbels of a capital and other fragments of architectural detail in St Philip
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Four corbels of a capital and other fragments of architectural detail in St Philip
2832216 Four corbels of a capital and other fragments of architectural detail in St Philips (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge, 1908; British, out of copyright
Media ID 22429506
© Bristol Museums, Galleries & Archives Bequest of William Jerdone Braikenridge, 1908 / Bridgeman Images
Carvings Corbel Corbels Ecclesiastical
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EDITORS COMMENTS
This print showcases the intricate beauty of architectural details found in St Philip's, a religious structure in Bristol. The image captures four corbels of a capital and other fragments, revealing the masterful craftsmanship that went into their creation. The artist, Hugh O'Neill, skillfully captured these elements using pencil and watercolor on paper. His study provides an intimate glimpse into the medieval architecture of St Philip's, highlighting its gothic influences and exquisite carvings. Each corbel is meticulously carved with precision and attention to detail. These ornate pieces serve as decorative supports for arches or beams within the church. Their delicate features are brought to life through O'Neill's artistic interpretation, showcasing his ability to capture both form and texture. This print not only serves as a visual delight but also offers an opportunity for deeper exploration. It invites viewers to appreciate the historical significance of these architectural fragments while providing insight into religious artistry during this period. Preserved by Bristol Museum and Art Gallery in the UK, this artwork was bequeathed by William Jerdone Braikenridge in 1908. Its availability through eBristol Museums, Galleries & Archives ensures that it can be appreciated by art enthusiasts worldwide. Overall, this image transports us back in time to witness the splendor of St Philip's ecclesiastical design while celebrating Hugh O'Neill's talent for capturing its essence on paper.
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