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Ferry from Temple Back to St Philips (pencil & w / c on paper)

Ferry from Temple Back to St Philips (pencil & w  /  c on paper)


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Ferry from Temple Back to St Philips (pencil & w / c on paper)

2832238 Ferry from Temple Back to St Philips (pencil & w/c on paper) by Delamotte, George Orleans (fl.1809-21); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge, 1908; British, out of copyright

Media ID 23473978

© Bristol Museums, Galleries & Archives Bequest of William Jerdone Braikenridge, 1908 / Bridgeman Images

Bristol Canal Crossing Ferry St Philips


FEATURES IN THESE COLLECTIONS

> Arts > Artists > B > George Back

> Europe > United Kingdom > England > Bristol > Bristol

> Europe > United Kingdom > England > Bristol > St George

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > England > Paintings

> Europe > United Kingdom > Paintings

> Fine Art Finder > Artists > George Orleans Delamotte

> Fine Art Finder > Artists > Hugh O'Neill

> Fine Art Finder > Britain


EDITORS COMMENTS
This print titled "Ferry from Temple Back to St Philips" by George Orleans Delamotte takes us back in time to the bustling city of Bristol, England. The artist's use of pencil and watercolor on paper brings a sense of delicacy and detail to this picturesque scene. The image showcases a charming ferry crossing over the canal, with the iconic Temple Back in the background. The boat gracefully glides through the calm waters, while buildings along the waterfront create a stunning cityscape. This painting beautifully captures the essence of English charm and British architecture. Delamotte's attention to detail is evident in every stroke, as he skillfully portrays each element of this vibrant scene. From the reflection of buildings on the water's surface to intricate architectural features, his artistry transports us into 19th-century Bristol. This artwork is part of Bristol Museum and Art Gallery's collection, graciously bequeathed by William Jerdone Braikenridge in 1908. It serves as a testament to both Delamotte's talent as an artist and his ability to capture historical moments for generations to come. As we gaze upon this remarkable piece, we are reminded not only of its artistic value but also its significance as a window into Bristol's rich cultural heritage.

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