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Interior of St Philips Church, 1828 (w / c over pencil on paper)

Interior of St Philips Church, 1828 (w  /  c over pencil on paper)


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Interior of St Philips Church, 1828 (w / c over pencil on paper)

2832205 Interior of St Philips Church, 1828 (w/c over pencil on paper) by Johnson, James (1803-34); Bristol Museum and Art Gallery, UK; (add.info.: a colour drawing, showing the interior of a Bristol church, mounted); eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge, 1908; English, out of copyright

Media ID 22702830

© Bristol Museums, Galleries & Archives Bequest of William Jerdone Braikenridge, 1908 / Bridgeman Images

Bristol Rood Screen Vaulted Ecclesiastical


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Medieval Art

> Arts > Artists > J > William James

> Arts > Realistic drawings > Pencil drawings > Fine art

> Europe > United Kingdom > England > Bristol > Bristol

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > Paintings

> Fine Art Finder > Artists > Hugh O'Neill

> Fine Art Finder > Artists > James Johnson

> Fine Art Finder > Interiors: Ecclesiastical & Formal

> Popular Themes > Religious Images


EDITORS COMMENTS
This print takes us back in time to the year 1828, allowing us a glimpse into the interior of St. Philips Church in Bristol, UK. The artist, James Johnson, skillfully combines watercolor and pencil on paper to create a vivid and detailed representation of this medieval ecclesiastical space. As we explore the image, our eyes are immediately drawn to the magnificent vaulted ceiling that stretches above the church's nave. Its Gothic architecture fills the scene with an air of grandeur and spirituality. The rood screen stands proudly at its center, separating the chancel from the rest of the church. The play of light and shadow within this painting adds depth and dimension to every corner. It is as if we can almost feel ourselves standing within those hallowed walls, surrounded by centuries-old history. This artwork is not only a testament to Johnson's artistic talent but also serves as a valuable historical document for Bristol's rich cultural heritage. Preserved by Bristol Museum and Art Gallery since its bequest by William Jerdone Braikenridge in 1908, it continues to inspire awe and fascination among art enthusiasts worldwide. By capturing this moment frozen in time, Bridgeman Images allows us to appreciate both the beauty of religious architecture and England's enduring legacy through their remarkable collection of fine art prints like this one.

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