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Totentanz 1848: Death leads revolutionary citizens
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Totentanz 1848: Death leads revolutionary citizens
3780894 Totentanz 1848: Death leads revolutionary citizens by Rethel, Alfred (1816-59); (add.info.: Totentanz 1848: Death leads revolutionary citizens into be killed in a bloody coup. Fifth plate in a series of six by Alfred Rethel.
From Prof. Dr. J von Pfluck-Harttungs Weltgeschichte: Neuzeit seit 1815, published Ullstein & Co, Berlin 1909.); Lebrecht History
Media ID 22291648
© Lebrecht History / Bridgeman Images
Anti Communist Deutsch Macabre Propaganda Skeleton Totentanz Social History
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This print titled "Totentanz 1848: Death leads revolutionary citizens" by Alfred Rethel takes us back to a tumultuous period in history. The image depicts Death, personified as a skeleton, leading a group of revolutionary citizens towards their inevitable demise during a bloody coup. This artwork is the fifth plate in a series of six created by Rethel. The macabre and satirical nature of this engraving reflects the artist's commentary on the social and political climate of 19th century Germany. It serves as an anti-communist propaganda piece, highlighting the dangers and consequences associated with revolution and radical ideologies. Rethel's meticulous attention to detail is evident in every stroke of his engraving technique. The composition exudes tension and despair, capturing the fear that permeated German society at that time. Through this powerful imagery, Rethel aims to convey the devastating impact of political unrest on ordinary citizens caught up in larger ideological conflicts. As we gaze upon this historical artifact from Prof. Dr. J von Pfluck-Harttungs Weltgeschichte: Neuzeit seit 1815 published in Berlin in 1909, we are reminded of the complex layers within European history. This print not only represents German culture but also offers insights into broader European dynamics during this era. Bridgeman Images has preserved this significant piece for art enthusiasts to appreciate its artistic brilliance while delving into its historical context – reminding us how art can capture moments frozen in time
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