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Akali Sikhs on the March, c. 1850 (opaque w / c on paper)

Akali Sikhs on the March, c. 1850 (opaque w  /  c on paper)


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Akali Sikhs on the March, c. 1850 (opaque w / c on paper)

5973722 Akali Sikhs on the March, c.1850 (opaque w/c on paper) by Indian School, (19th century); 23x19 cm; Freer Gallery of Art, Smithsonian Institution, USA; (add.info.: Pakistan, North India, Punjab, Lahore); Freer Gallery of Art, Smithsonian Institution; Purchase - Charles Lang Freer Endowment; Indian, out of copyright

Media ID 23574476

© Freer Gallery of Art, Smithsonian Institution Purchase - Charles Lang Freer Endowment / Bridgeman Images

British Empire British Raj Company School East India Company Mughal Sikh


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> Arts > Artists > I > Indian School Indian School

> Arts > Artists > M > Mughal School Mughal School

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> Asia > Pakistan > Lahore

> Asia > Pakistan > Related Images

> Fine Art Finder > Artists > Indian School


EDITORS COMMENTS
The captivating print titled "Akali Sikhs on the March, c. 1850" showcases a significant moment in history captured by the Indian School in the 19th century. The image, rendered with opaque watercolors on paper, measures 23x19 cm and is housed at the prestigious Freer Gallery of Art, Smithsonian Institution in the USA. This mesmerizing artwork takes us back to Pakistan's rich heritage and North India's vibrant Punjab region during British colonial rule. It portrays a group of Akali Sikhs marching with unwavering determination and pride. Their colorful turbans and flowing robes create a striking visual contrast against the backdrop of Lahore's bustling streets. As we delve into this painting, we are transported to an era marked by cultural fusion between Mughal traditions and British influence. This piece serves as a testament to both Sikh valor and resilience amidst changing times. Acquired through Charles Lang Freer Endowment, this photograph not only captures historical significance but also highlights its artistic value as part of company school paintings from East India Company era. Its presence within the gallery signifies its importance as an imperial relic that reflects upon Victorian aesthetics while preserving Sikh identity. With every brushstroke meticulously placed on paper, this artwork immortalizes an important chapter in South Asian history for generations to come.

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