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A Tibetan Thanka with a central figure of Heruka
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A Tibetan Thanka with a central figure of Heruka
1766442 A Tibetan Thanka with a central figure of Heruka by Tibetan School (18th century); 90x60 cm; Private Collection; (add.info.: A Tibetan Thanka with a central figure of Heruka. 18th Century. 90 x 60cm.); Photo eChristies Images; Tibetan, out of copyright
Media ID 23691982
© Christie's Images / Bridgeman Images
Arrangement Background People Banner Buddhism Buddhist Bystander Central Communication Equipment Media Oriental Religious Equipment Southeast Asian Thangka Tibetan Many Limbed Thanka
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EDITORS COMMENTS
This print showcases a Tibetan Thanka, featuring the central figure of Heruka. Created by the Tibetan School in the 18th century, this exquisite piece measures 90x60 cm and is currently held in a private collection. The intricate details and vibrant colors of this artwork are beautifully captured in this photograph by eChristies Images. The Thanka depicts Heruka, a significant deity in Buddhism known for his fierce appearance and multiple limbs. Standing against an oriental backdrop, Heruka commands attention with his many-limbed form, symbolizing his ability to perform numerous tasks simultaneously. Surrounding him are various figures that add depth and meaning to the composition. This image not only highlights the artistic arrangement of the Thanka but also provides insight into Tibetan culture and religious practices. It serves as a powerful medium for communication between believers and their spiritual world. The presence of bystanders in the background reminds us that art has always been an integral part of human expression throughout history. This particular piece represents both religious devotion and artistic mastery within Tibetan art from the eighteenth century. As we admire this remarkable example of Buddhist iconography, we can appreciate its significance as a banner for religious equipment used during ceremonies or personal meditation practices. Its timeless beauty transcends time and geography, making it relevant even today as an emblematic representation of spirituality within Southeast Asian cultures.
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