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Mary Magdalene, Crucifixion Triptych, c. 1445 (oil on oak panel)
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Mary Magdalene, Crucifixion Triptych, c. 1445 (oil on oak panel)
LRI3081833 Mary Magdalene, Crucifixion Triptych, c.1445 (oil on oak panel) by Weyden, Rogier van der (1399-1464); 101x35 cm; Kunsthistorisches Museum, Vienna, Austria; (add.info.: 101x70 (central panel), 101x35 (each wing panel)); Luisa Ricciarini; Netherlandish, out of copyright
Media ID 22506932
© Luisa Ricciarini / Bridgeman Images
Altarpiece Attribute Attributes Crucifix Crucifixion Drapery Flow Flowing Iconography Italianate Magdalene Northern Ointment Panel Pictorial Shroud Suffering Triptych Turin Veronica
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EDITORS COMMENTS
This print showcases Rogier van der Weyden's masterpiece, the "Mary Magdalene, Crucifixion Triptych" created around 1445. The triptych is composed of three panels made from oil on oak panel and is currently housed in the Kunsthistorisches Museum in Vienna, Austria. The central panel measures 101x70 cm, while each wing panel measures 101x35 cm. Luisa Ricciarini skillfully captures the essence of this Netherlandish artwork through her lens. In this image, we see Mary Magdalene depicted with flowing drapery and a jar as her attributes. She kneels before the cross in deep sorrow and reverence. Surrounding her are angelic figures who offer comfort during her time of grief. The ornate decorative details of the altarpiece add to its Renaissance charm. The Italianate landscape serves as a backdrop for this poignant scene of Christ's crucifixion. Notably, Van der Weyden incorporates elements of Northern iconography into his work, such as St. Veronica holding a shroud imprinted with Christ's face. This early painting beautifully portrays Mary Magdalene's devotion and suffering following Jesus' death. It also highlights Van der Weyden's mastery in capturing emotional depth within his subjects. Luisa Ricciarini expertly captures every intricate detail and nuance present in this iconic triptych through her photography skills, allowing viewers to appreciate its beauty even
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