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The Pantry Boy (oil on canvas)

The Pantry Boy (oil on canvas)


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The Pantry Boy (oil on canvas)

GG171792 The Pantry Boy (oil on canvas) by Rajon, Paul Adolphe (1843-1888); 55.8x34.2 cm; Private Collection; Photo eGavin Graham Gallery, London, UK; French, out of copyright

Media ID 22601056

© Gavin Graham Gallery, London, UK / Bridgeman Images

Apron Dish Domestic Interior Feeding Plate Scraps Leftovers


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Dogs (Domestic) > Related Images

> Arts > Artists > R > Paul Adolphe Rajon

> Arts > Fine Art

> Europe > France > Paintings

> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > Paintings

> Fine Art Finder > Artists > James Abbott McNeill Whistler

> Fine Art Finder > Artists > Paul Adolphe Rajon

> Fine Art Finder > Food & Drink 19th/early 20th C


EDITORS COMMENTS
This print showcases "The Pantry Boy" an exquisite oil on canvas painting by Paul Adolphe Rajon. Measuring 55.8x34.2 cm, this artwork is a true gem from the artist's collection, now held in a private collection. In this mesmerizing piece, we are transported to a domestic interior where the scene unfolds with delightful details. A young kitchen hand stands proudly wearing his apron and hat, holding a plate of food scraps for two eager dogs at his feet. The boy's gentle demeanor and caring nature are evident as he feeds these loyal companions. The composition is enhanced by the presence of various elements that add depth and character to the painting. A walking stick leans against the wall, symbolizing both utility and authority within this humble setting. The remnants of a meal can be seen on the dish nearby, emphasizing the frugality of everyday life during that era. Rajon masterfully captures not only the physical attributes but also conveys emotions through his brushstrokes. This timeless work evokes feelings of warmth and compassion while shedding light on societal roles and relationships prevalent in 19th-century France. As we admire this remarkable piece captured by Bridgeman Images' lens, we cannot help but appreciate its historical significance and artistic brilliance without mentioning any commercial use associated with it.

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