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Billingsgate Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving
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Billingsgate Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving
NCO260495 Billingsgate Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Lady Caroline Melfort (b.1768) known as Billingsgate after the fish market, due to her foul language; sister of Richard Hellgate Barry (1769-93) actor and politician; one of eight vignettes depicting different types of eloquence; ); English, out of copyright
Media ID 22656556
© Bridgeman Images
Crone Fishwife Opposing Social Satire Ugly Uncouth Vignette
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EDITORS COMMENTS
The captivating print of "Billingsgate Eloquence" takes us back to the year 1795, when Hannah Humphrey published this hand-coloured engraving by James Gillray. The detail showcased here is a fascinating glimpse into an era of social satire and political commentary. In this particular vignette, we are introduced to Lady Caroline Melfort, famously known as Billingsgate due to her notorious use of foul language. Her reputation precedes her as she stands in profile, opposing the aristocracy with her uncouth demeanor and sharp tongue. A sister to Richard Hellgate Barry, an actor and politician, Lady Caroline represents a different breed of eloquence. Gillray's skillful caricature captures the essence of Lady Caroline perfectly - an ugly hag with exaggerated features that highlight her crone-like appearance. This satirical portrait serves as a scathing critique on the aristocratic society of the time. As we delve into this historical piece, it becomes evident that Gillray aimed not only for visual entertainment but also for societal reflection. Through his artistry and wit, he exposes the flaws within high society while challenging traditional notions of beauty and refinement. This engraving from Fine Art Finder allows us to appreciate both Gillray's talent and his ability to provoke thought through clever imagery. It serves as a reminder that even centuries later, art continues to be a powerful medium for social commentary and self-reflection.
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