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Britannia between death and the Doctors, pub. Hannah Humphrey, 20th May

Britannia between death and the Doctors, pub. Hannah Humphrey, 20th May


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Britannia between death and the Doctors, pub. Hannah Humphrey, 20th May

2636946 Britannia between death and the Doctors, pub. Hannah Humphrey, 20th May, 1804 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: William Pitt the Younger (1759-1806); Henry Addington (1757-1844); Charles James Fox (1749-1806); Napoleon Bonaparte (1769-1821); ); The Stapleton Collection; English, out of copyright

Media ID 23420710

© The Stapleton Collection / Bridgeman Images

Bonnet Rouge Bottles Britannia Charles James Fox Kicking Napoleon Bonaparte Open Door Pills Political Satire Prime Minister Rivalry Sick Trampling Union Jack William Pitt Dying Henry Addington


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > James Charles

> Arts > Artists > C > William Charles

> Arts > Artists > G > James Gillray

> Arts > Artists > J > William James

> Arts > Pop art > Satire > Satirical artwork

> Europe > United Kingdom > England > London > Politics > Henry Addington

> Europe > United Kingdom > England > London > Politics > William Pitt the Younger

> Europe > United Kingdom > England > London > Politics > William Pitt

> Fine Art Finder > Artists > James Gillray

> Fine Art Finder > Cartoons, Caricatures & Humour

> People > Politicians

> Popular Themes > Politics


EDITORS COMMENTS
The captivating print titled "Britannia between death and the Doctors" by James Gillray is a remarkable piece of political satire from the 19th century. Depicting a scene filled with symbolism, it showcases the rivalry and power struggles among prominent figures during that era. In this hand-coloured engraving, we see Britannia, personifying Britain, caught in a precarious situation between death and the doctors. The central figures include William Pitt the Younger, Henry Addington, Charles James Fox, and Napoleon Bonaparte. Each character represents different political ideologies and ambitions. Amidst chaos and sickness symbolized by bottles of medicine scattered around them, these politicians are vying for control over Britannia's fate. With her spear held high in defiance against Napoleon's Bonnet Rouge (red cap), she kicks out at those who seek to manipulate her destiny. Gillray masterfully uses satire to critique both British politics and French influence on Britain at that time. The open door behind Britannia suggests vulnerability while a skeleton lurks nearby as an ominous reminder of mortality. This print serves as a powerful commentary on the state of affairs during this period – highlighting not only political rivalries but also issues surrounding health care and national identity. It remains an important historical artifact that offers insight into the complexities of British society during this tumultuous era.

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