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Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, pub

Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, pub


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Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, pub

2962523 Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, pub. 1782 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: Charles James Fox (1749-1806); Edmund Burke (1729-1797); ); The Stapleton Collection; English, out of copyright

Media ID 22441834

© The Stapleton Collection / Bridgeman Images

Accepting Anthropomorphic Beelzebub Collar Consoling Crate Damned Demon Devil Dice Evil Gifts Gratitude Hanoverian Horned Horns Political Satire Quaker Rosary Satan Scourge Sinful Winged


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Vespertilionidae > Beelzebub

> Arts > Artists > C > James Charles

> Arts > Artists > G > James Gillray

> Arts > Pop art > Satire > Satirical artwork

> Asia > Georgia > Related Images

> Fine Art Finder > Artists > James Gillray

> Fine Art Finder > Cartoons, Caricatures & Humour

> Popular Themes > Politics


EDITORS COMMENTS
The captivating print titled "Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children" by James Gillray is a remarkable piece of political satire from 1782. This hand-coloured engraving depicts the renowned figures Charles James Fox and Edmund Burke as fallen children seeking solace from Old Orthodox, an anthropomorphic representation of traditional values. In this satirical cartoon, we witness the sinful duo kneeling before Old Orthodox, who appears in a devilish form with horns and wings. The fallen children are seen offering their souls in exchange for gifts represented by dice and a box. With moustache and beard adorning their faces, Fox and Burke represent the political turmoil during the Georgian era. The artist masterfully captures the essence of this caricature through clever symbolism such as collars representing different religious affiliations like Catholicism and Quakerism. The winged demon offers consolation while holding a rosary symbolizing gratitude amidst damnation. Gillray's engraving serves as both social commentary on sinfulness within politics and criticism towards Hanoverian rule. Through meticulous detail, he portrays these historical figures accepting their fate under the scourge of Beelzebub himself. This intriguing artwork showcases Gillray's talent for blending humor with biting critique. It stands as a testament to his ability to capture complex ideas through visual storytelling, making it an invaluable addition to any collection of political satire prints.

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